A Quote by Bruce Weber

As a child, people were always trying to photograph and film me because it's a way for a shy person to find themselves. — © Bruce Weber
As a child, people were always trying to photograph and film me because it's a way for a shy person to find themselves.
To me, the stories that have always intrigued me are the stories of people leaving my movies and being affected by them. They walk home 20 blocks the wrong way. Or they lock themselves in their office. Or they find themselves weeping when in the shower after the film. And those intrigue me, because I know I've touched something inside them.
I'm trying to find myself as a person, sometimes that's not easy to do. Millions of people live their entire lives without finding themselves. But it is something I must do. The best way for me to find myself as a person is to prove to myself that I am an actress.
I was shy as a child. Now I'm not really shy any more, unless I'm with shy people. I find it contagious and I don't know what to say. But I don't think shyness is something one should feel apologetic about.
...and the funny thing was that people who weren't entirely certain they were right always argued much louder than other people, as if the main person they were trying to convince were themselves.
My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
It seems like a contradiction, but the shy person who is a performer actually does make sense, because in a way, when you're young and shy, making people laugh is a good way to make friends. It's an instant connection.
People tend to have one of three 'styles' of interaction. There are takers, who are always trying to serve themselves; matchers, who are always trying to get equal benefit for themselves and others; and givers, who are always trying to help people.
Tell me what's wrong with this idea: If you're selling to somebody, find someone like that person to sell to them. If you're trying to reach swing voters, if you're trying to reach people on the fence, if you're trying to reach Republicans who are unsure about this candidate... get people who switched! Get people who are registered Republicans. Get people who were George Bush voters who can't bring themselves to do it again. Talk to them, get them to explain what their reasons are, and show them to people. What's wrong with this idea?!
A photograph to me is always a reminder of how the person was on a certain day in that certain light fixed. When I look at a watercolor of that same person, it seems to me alive, more open than a photograph.
It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say.
I was shy talking about certain things, and I was shy with being honest because I didn't want people to judge me talking about fatherhood and how somebody should have my child around me.
None. They should just go out and photograph and stop talking about it. That's the only way they are going to find themselves. They can't do it in their heads - they have to go out and do it in the camera and get it on film.
I was always shy. Writing was my only outlet. Because I always hid in a room, I spent a lot of time watching people. When I was a small child I could detect hidden body language in others only I could see. People's emotions rub off on me. When I told this to my therapist she said, "Well, you're an empath." I thought, "No way. Like Star Trek?" And she clarified: because I am so socially uncomfortable, I have compassion for others who I recognize are also struggling. People with anxiety are acutely aware.
When a person looks at a photograph you've taken, they will always think of themselves, their own life experience. They will relate your photograph to their memories. That interplay is where a picture comes alive and grows into something. They function like invitations.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
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