A Quote by Bruce Willis

My friends are always honest with me about films. But I really wanted to talk to regular people and kind of have a forum to interact with them; not just about films, but about everything.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
To be honest, my friends weren't really as into making films as I was. But I convinced them all to make some zombie films with me.
What I know is that I am honest about my films, and my films are honest about reality. The stories themselves dictate the way that they should be told.
I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the ocean.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
To be honest, I would like to have worked with Peter Sellers, because when people talk about classic British actors, you talk about Lawrence Olivier, and Peter Sellers was just in the most amazing films.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
We are a family that likes to keep things abreast about what's happening in the country so dinner table conversations revolve around Social, political, films... a bit of everything. Films we talk about the least in fact.
My films are misinterpreted all the time. I don't mind that. Everybody's films are misinterpreted. But there's no malice or stupidity in the people that misinterpret them. You know what you do, but someone else sees it, and they want to talk about it or write about it, and so they misinterpret them.
For me, it is not about being a part of a hit or a flop. Films are about friends, learning, and experiences. Certain films give me happiness.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
The more I make films, the more I feel less inclined to talk about them and just let people watch them. I feel that the pictures are telling the story, and I can't really add anything except just talking about the technicalities of what happened on the day.
The biggest misconception about me and my work is that I only make political films denouncing human-rights atrocities, even though all of my films are about people fighting for their rights and their quest for justice. My films aren't depressing, are very human, and always offer a way forward.
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