A Quote by Bruce Willis

Who's driving this car, Stevie Wonder? — © Bruce Willis
Who's driving this car, Stevie Wonder?
Stevie Wonder doing [carpool karaoke] it was a massive turning point because he's Stevie Wonder. Like, there's no one else in the world who can go, I don't really want to do it. And you go oh, so it's good enough for Stevie Wonder but it's not good enough for you?
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
My father would play Stevie Wonder in the car, but that never sunk in.
'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
I think I'm more influenced, just in general, not by blues artists, but more by stuff from Curtis Mayfield, Stevie Wonder. Stevie Wonder is probably my biggest musical influence of all. And Donny Hathaway.
I like Stevie Wonder. I usually wind up playing the same old tapes in the car.
Driving a race car isn't too far a cry from driving any other sports car, but driving one through Africa in the middle of the night offers a wide scree of new sensations.
I live by syllogisms: God is love. Love is blind. Stevie Wonder is blind. Therefore, Stevie Wonder is God. I don't know what I'd believe in if it wasn't for that.
'The Muppet Show' was huge. I watched it all the time as a kid, and I really loved the way they used music on that. I also remember hearing the radio in the car as a kid, like Stevie Wonder and Simon and Garfunkel.
Honestly, the average American spends about 52 minutes a day in commute traffic. And as much as I love driving my car and many people like driving their car, commuting has never been fun for me.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
Just coming from a musical family, I was always surrounded by it. On the car rides to school, my mom loved playing A Tribe Called Quest and the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band,' and then my dad was listening to a lot of Bill Withers and Stevie Wonder.
Just driving I just was in a car on flat ground and I couldn't make it go. Having ticked driving and taken three driving lessons, I just was unable to produce any motion whatsoever under perfectly normal circumstances. I think we've all been busted on driving, and riding.
I have always been interested in abandoned cars. I can't tell you how many times I've been in a car, driving, and there's a car sitting in a pasture, totally abandoned. Or on the edge of a creek or something. I always wonder: why did somebody park it in the pasture and leave?
I was backstage at the House of Blues in L.A where I was about to perform, and Stevie Wonder and Prince turned up at my dressing room together! Stevie started beat boxing and Prince started singing one of my songs, all of a sudden it was like I was in a cypher with these incredible artists.
Could a person really make a social contribution through music consciously? I mean, beyond making a person happy to hear the song and more making a social contribution consciously through your music? For me, Stevie Wonder is the paragon of that. And I didn't want to be Stevie Wonder, but I did want to do what he does.
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