A Quote by Bruce Willis

I never think about the downs. Well, only when I get asked during interviews. — © Bruce Willis
I never think about the downs. Well, only when I get asked during interviews.
I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.
When we do interviews and we get asked the same questions over and over, I'm like, 'I wish we'd get asked something different.' But when we do, I have no idea. I'm not prepared. Because it's hard to remember your own life!
Nobody asks me about what male musicians I think about; I only ever get asked about females.
I never turn down requests for interviews. I'm just rarely asked.
I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected.
There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art. I always get asked, ‘Where do you get your confidence?’ I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’
Well the least favourite question is the one that one's asked particularly about in Japan is what's the difference between theatre and cinema and I think, well, that's about eighty bucks.
I met with President Donald Trump at Mar-a-Lago in February. So he'd been in office about a month. It was for an hour. Went over there on a Saturday. They invite... Reince Priebus called and said, "The president wants to see you." He never once asked me what I thought. He never asked me once what he thought I ought to do. He never asked me what I think of this or that. My impression is this man is more self-informed and decisive.
It's funny: now we're starting to do interviews, we've just begun to understand what we're doing, whereas before, without doing interviews, we never really thought about motives.
I have observed that male writers tend to get asked what they think and women what they feel," she says. "In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them. The interviews much more seldom engage with the woman as a serious thinker, a philosopher, as a person with preoccupations that are going to sustain them for their lifetime.
If interviews are just interviews or if music is just music, why are we even doing it? You only get so many hours in a lifetime, man.
People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.
I hardly ever get asked about music. I do, however, get asked about the 'Addicted to Love' video and my suits on a daily basis.
“Do you take pride in your hurt?” Samuel asked. “Does it make you seem large and tragic?” “I don't know.” “Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.”
Between me and my wife, there's this joke where I'll be doing some fun interview, and I'll get off the phone and be like, "That guy was an idiot." A lot of times, interviews are like being asked a list of questions. Invariably, there will be this part where they think you're a writer for Letterman: "Just off the top of your head, tell me the 10 most influential bands on you." And you're actually asked to come up with a spontaneous list. It's like, "Dude, I'm not living in High Fidelity."
Well, a lot of things surprised me. There were things that I had never thought about, in my life. I never thought about how loud prison was. I've never thought about how your ears never really get a break from all this noise. That was actually replicated on our set pretty well.
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