A Quote by Bruce Willis

I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it. — © Bruce Willis
I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
For some reason, no one wanted to give me money to make a movie written in early modern English that involved a lot of puritans praying - even if it did involve a witch.
I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.
I learned a lot, in terms of inspiring people. It became very clear to me, very early on, that directing a movie was a lot like being in a theater company.
Apart from a couple that were just having fun with the concept and making fun of [Donald] Trump - like the one we did with Keegan Michael-Key - they really are little hero narratives. The whole "Save the Day" - it's called that, specifically, for a reason - ethos is there is this heroic act called voting. And the world is scary, and things are overwhelming, and there's a lot at stake.
In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
I've learned a heck of a lot this way [making Dark Tower comics]. I've also learned a lot from the editors at Marvel, who are always an equal part in the creative team.
I did this movie called 'Their Eyes Were Watching God,' and I was an extra, and it was a movie that Oprah was producing. She had walked by, and I was making all the other extras laugh, and she said, 'You're a very funny young lady.' I was like, 'Eeeee!'
Years ago, even prior to 9/11, I did a movie called "The Siege." I did a lot of research with the FBI and the CIA. And I was amazed at that time (I guess we might all know it now) how little information they shared with each other. So after that, I'm not surprised by anything.
The truth is most of the films that make a lot of money no one remembers, and I'm not interested in making films that no one remembers.
My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.
I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
That first movie I did, Lucas [1986], was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
I've learned a lot about stage-managing for illustration. Sometimes you have to delete characters from a scene just to keep from overcrowding the image. I've also learned to making big-scale design decisions early.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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