A Quote by Bruno Barbey

Photography is the only language that can be understood anywhere in the world. — © Bruno Barbey
Photography is the only language that can be understood anywhere in the world.
Photography is the only "language" understood in all parts of the world, and, bridging all nations and cultures, it links the family of man.
Love can be understood only 'from the inside,' as a language can be understood only by someone who speaks it, as a world can be understood only by someone who lives in it.
Love can be understood only "from the inside," as a language can be understood only by someone who speaks it, as a world can be understood only by someone who lives in it.
Photography is the only “language” understood in all parts of the world, and bridging all nations and cultures, it links the family of man. Independent of political influence - where people are free - it reflects truthfully life and events, allows us to share in the hopes and despair of others, and illuminates political and social conditions. We become the eye-witnesses of the humanity and inhumanity of mankind . . .
There was a language in the world that everyone understood, a language the boy had used throughout the time that he was trying to improve things at the shop. It was the language of enthusiasm, of things accomplished with love and purpose, and as part of a search for something believed in and desired.
Metaphors, similes, puns - all manner of metonymy - I'm interested in language that cannot be parsed by a machine - language that can only be understood through acculturation.
Photography is my only language.
No one really understood music unless he was a scientist, her father had declared, and not just a scientist, either, oh, no, only the real ones, the theoreticians, whose language was mathematics. She had not understood mathematics until he had explained to her that it was the symbolic language of relationships. "And relationships," he had told her, "contained the essential meaning of life."
As the language or vocabulary of photography has been extended, the emphasis of meaning has shifted, shifted from what the world looks like to what we feel about the world and what we want the world to mean.
I started photography more or less by accident when I was already 27. I was taken on as an assistant by a photographer who was a friend of a friend and I very quickly understood the potential of expression in photography.
Photography is and is not a language; language also is and is not a photography.
I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen, I had a sense that photography could provide a bridge from the world of science to the world of art, or image. Photography was a means of crossing into a new place I didn't know.
If human language, with its logic, is the way God has given us to understand the world, then the Torah must be understood in that same language and with that same logic.
The language of art is celestial in origin and can only be understood by the chosen.
The language of music is common to all generations and nations; it is understood by everybody, since it is understood with the heart.
The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system.
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