A Quote by Bruno Bettelheim

The unrealistic nature of these tales (which narrowminded rationalists object to) is an important device, because it makes obvious that the fairy tales’ concern is not useful information about the external world, but the inner process taking place in an individual.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.
I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.
The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.
Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons.
I love fairy tales because I think that behind fairy tales, there is always a meaning.
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
The words 'fairy tales' must accordingly be taken to include tales in which occurs something 'fairy,' something extraordinary - fairies, giants, dwarfs, speaking animals.
I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.
What works about fairy tales is that they endure, and the great thing about fairy tales is that you can explore big, epic things that you can't really explore in other situations.
I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text.
I didn't like fairy tales when I was younger. I found a lot of fairy tales scary. They really didn't sit well with me.
When fairy tales are written in the west, they're known as folklore. In the east, fairy tales are called religions.
Fairy tales are my natural language. I feel at ease telling fairy tales like a fish feels in water. I am totally free.
In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
What I like about fairy tales is the language and the matter-of-fact way of introducing magic, where it's accepted that a fox could talk or a gate could just appear in a wall. I think fairy tales are so psychological.
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