A Quote by Bruno Fernandes

What goes on in the pitch, out of it, for me, it's past. — © Bruno Fernandes
What goes on in the pitch, out of it, for me, it's past.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
There is stuff going on inside me. But I have always been told to go out there and pitch like you can't tell if you just struck somebody out or just gave up a home run. If something bad happens, I don't dwell on it. Just give me the ball and let me pitch.
Getting my curveball back and finding another pitch just helped me figure out how to pitch.
The way I pitch is the way I pitch. I'm not going to change my overall philosophy. I'll just go out and pitch.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
My view is that you show Messi one side or the other, and if he goes past you, he goes past you. But if he slips it through your legs, then you have to obstruct him and take the foul. Just don't ever let yourself be nutmegged.
DeShaies is like a clock out there. Every other pitch goes one way or the other.
Going into 'Details' magazine to pitch concepts for a potential photo shoot was one of the most nerve-wracking things I had ever done. I didn't really know what one did in a pitch, how they were structured, etc., and that freaked me out big time.
First, he says, you have to go out into the world. This is not a simple matter of going outside one's door. No, that is simply going out. That's what one does when one is on the way to the store to buy a loaf of bread, some cheese, and a bottle of wine. When one goes out into the world, one is shedding preconceptions of past paths and ideas of past paths, and trying to move freely through an unsubstantiated and new geography.
People have said things about me, and wrote and criticized me about things in the past, but it goes in one ear and out the other.
When I get onto the pitch, I block out everything around it, and I really focus on the pitch.
It's very important to go pitch-by-pitch and game-by-game and not getting too far ahead of myself. In the past, it was trying to make up for a bad game and thinking ahead and what do I have to do to fix this.
Sometimes we're going to take marginal pitches on the edges and get called out on strike, but we want to get a pitch that we can drive and a pitch we can do damage on. I think when you do that, you don't necessarily chase as much out of the zone.
When husbands and wives not only co-work but try to co-homemake, as post-feminist and well-intentioned as it is, out goes the clear delineation of spheres, out goes the calm of unquestioned authority, and of course, out goes the gratitude.
I prefer to be a great team not only on paper but also on the pitch. The pitch is the truth. The pitch speaks.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
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