A Quote by Bruno Heller

One of the challenges with series TV is not to give everyone all the punchlines, all the gags and all the fun stuff at the top. Everyone is so anxious, for very good reasons, to hit the ground running, but I've been on the other end of that.
The second series is always my favourite as a writer/director; you can hit the ground running... so that's fun.
I think fun is one of the best gifts we can give to each other. If everyone was having fun we'd be in good shape.
Well everyone's a world class ground fighter until they get a punch to the face. So that's how I deal with all these ground fighters like everyone else. I hit 'em in the head and there goes your F**king black belt.
It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.
If everyone is there to make a good film, everyone is down to earth, and everyone is there for the right reasons - the scale doesn't really matter I think.
I had to have running training because I'm not a very good runner. I run weird. ... The hardest stunt is probably basic running. And trying not to hit myself in the face with my bow, are my two greatest challenges.
There are fun parts of running a startup and not so fun parts, and Facebook handles the not so fun parts, like infrastructure, spam, sales. The real questions are, how big can 'Instagram' get? Is it 400 million, or bigger? Can it be a viable business if it is that big? These are at the top of the list for everyone in Silicon Valley.
I think everyone should sell other people's stuff and their own stuff. I think everyone, almost everyone should mix those two business models.
I've had challenges in my life that have been very public, but I don't think that's any more difficult than someone who has a struggle in a small town where everyone knows everyone else's business. It's just on a more publicized scale.
In Norway, everyone knows everyone, and everyone is very supportive of each other. If there is anyone new, or a new song is coming out, everyone will probably know about it.
In the end, everyone loses everyone. There was no invention to get around that, and so I felt, that night, like the turtle that everything else in the universe was on top of.
Everyone is living for everyone else now. They're doing stuff so they can tell other people about it. I don't get all that social media stuff, I've always got other things I want to do - odd jobs around the house. No one wants to hear about that.
They've got something they do it with, I think it's called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man ... one vet. ... Everyone has ... the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extraction. And people disapproved of for, er, various reasons. And lots of other people. But everyone apart from them. It's a very enlightened civilization.
I think there's a little bit of Erika Jayne in all of us. There's always an over-the-top performance that's part of everyone's life. Erika Jayne is simply that: glitz, glamour, fun, sex, love and escape. She's all about pushing limits, having a good time and delivering lots of smiles. But really at the end of the day, she wants to have fun.
If you do something that is not gags and punchlines and is character-based, where there are no jokes as such, then it all has to come from a place of truth, and I love that - I love nothing more than getting very serious about my comedy.
I know that everyone wants to know about 'Downton Abbey,' but the truth is that it was only a few days out of my life. Still, you play a distinctive part on a hit series, and everyone suddenly knows who you are. Isn't it crazy how this business works?
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