A Quote by Bruno Maag

A good typeface is like a well-crafted English or Italian suit: it always looks perfect. — © Bruno Maag
A good typeface is like a well-crafted English or Italian suit: it always looks perfect.
I like the way I look in a suit, and I wish I owned more. Actually, I wish I owned suits that fit me, I should say. You can buy off the rack and think, 'Oh, this is perfect.' But then you get a tailor-made suit for you, and it's a whole different animal. You don't just look good in a suit, you feel good in a suit.
You know what's crazy about Yao? He speaks perfect English. A lot of people don't know that. Perfect English. When I was over there, I called him. He's like, 'Whassup big fella?' Perfect English!
All the suits I buy have to be tailored, no matter what. But it's not just because of my height; it's because I've been skating for so long. My waist is very small, but my legs are just huge. Most really nice suit makers are Italian, and usually they make suit pants for Italian men. I'm like, 'Those Italians must have pretty skinny legs.'
Yellow looks good with a brown suit, but then, a brown suit never looks good.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
I've got to say, I enjoy a good suit. Something about a really well-tailored suit; I like it.
A man always looks good in a dark suit.
I was watching one of those animal shows on the Discovery Channel. There was a guy inventing a shark bite suit. And there's only one way to test it. All right Jimmy, you got that shark suit on, it looks good... They want you to jump into this pool of sharks, and you tell us if it hurts when they bite you. Well, all right, but hold my sign. I don't wanna lose it.
In graduate school, I decide to write my doctoral thesis on how Italian architecture influenced English playwrights of the seventeenth century. I wonder why certain playwrights decided to set their tragedies, written in English, in Italian palaces.
I have many, many editions of the books, and they are all rather different. In the end, the one I used was the most recent French translation. French suits the tales well, and it's a beautiful translation. The Italian one is good as well... English has fallen short.
I like suits. I mean, I always feel good in a suit; I'm more of a suit guy than a shirt-and-jeans-type guy, probably. You know, like, I love Brad Goresky's style. And sometimes he'll wear a pair of, like, leopard pants, and I'm like, I couldn't pull that off, but I appreciate it from afar.
I like suits. I mean, I always feel good in a suit; I’m more of a suit guy than a shirt-and-jeans-type guy, probably. You know, like, I love Brad Goresky’s style. And sometimes he’ll wear a pair of, like, leopard pants, and I’m like, I couldn’t pull that off, but I appreciate it from afar.
Unraveling the threads of a good game story is like solving a well-crafted puzzle. After a lengthy, sometimes difficult journey, the pieces click into place, and you're rewarded with the satisfying payoff of a job well done.
Everyone should have a suit that's really well fitting - if a suit just doesn't fit, it looks ridiculous. It can purposely be too large or too small, if that's what you want, but it has to fit with your image and personal style.
I grew up speaking Spanish and English. My mother can speak Spanish, English, French and Italian, and she's pretty good at faking Portuguese. I wish that I spoke more languages than I do.
I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script.
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