A Quote by Bruno Maag

The Cyrillic and Greek scripts in particular have an alien beauty in their unfamiliar letterforms. Five weights of stroke thickness create subtle variations in light and dark that reflect the emerging and fading of the stars.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
Forty years as an astronomer have not quelled my enthusiasm for lying outside after dark, staring up at the stars. It isn't only the beauty of the night sky that thrills me. It's the sense I have that some of those points of light are the home stars of beings not so different from us, daily cares and all, who look across space with wonder, just as we do.
There are only five notes in the musical scale, but their variations are so many that they cannot all be heard. There are only five basic colors, but their variations are so many that they cannot all be seen. There are only five basic flavors, but their variations are so many that they cannot all be tasted. There are only two kinds of charge in battle, the unorthodox surprise attack and the orthodox direct attack, but variations of the unorthodox and the orthodox are endless. The unorthodox and the orthodox give rise to each other, like a beginningless circle-who could exhaust them?
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
Before you, Bella, my life was like a moonless night. Very dark, but there were stars, points of light and reason. ...And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn’t see the stars anymore. And there was no more reason, for anything.
When you start to treat the light weights like heavy weights, the heavy weights will go up a lot easier.
Etching will suggest subtle variations of tone, the most delicate shadings, all with black lines, which, as far as lines go, are unsurpassed for sheer beauty.
Manouri is a Greek ewes' milk cheese that's light in colour and texture. It's fresh and milky, and goes well with other subtle flavours.
'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.
Every glass thermometer has subtle variations in the size and shape of the bulb at the bottom and the capillary tube inside, as well as variations in the width of gradations on the side. The compounded effect of these uncertainties is that each thermometer reads temperature slightly differently.
Avice for a human. 87. Dark matter is needed to hold galaxies together. Your mind is a Galaxy. More dark than light. But the light makes it worthwhile. 88. Which is to say: don't kill yourself. Even when the darkness is total. Always know that life is not still. Time is space. You are moving through that galaxy. Wait for the stars.
The word is clear only to the kind who on peak or plain, from dark northern ice-fields to the hot wet jungles, through all wine and want, through lies and unfamiliar truth, dark or light, are governed by the unknown gods, and though each man knows the law, no man may give tongue to it.
Today, most big stars want scripts to be written in a particular way, show them in a certain light. They want people to like them for various reasons. It's all about how much people will like me in this film than about whether it's a good film or not.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Actors in any capacity, artists of any stripe, are inspired by their curiosity, by their desire to explore all quarters of life, in light and in dark, and reflect what they find in their work. Artists instinctively want to reflect humanity, their own and each other's, in all its intermittent virtue and vitality, frailty and fallibility.
Stroke followed stroke with the velocity of light. The movement of my hand was interrupted only by the act of changing colors.
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