A Quote by Bruno Mars

My father's a musician and my mother's a singer. My dad's originally from Brooklyn and he was a Latin percussionist so I've always had instruments around the house. He used to have a show like a 1950s rock and roll show with Little Richard music. They would do doo-wop songs and stuff like that.
'Doo-wop' is a very special word for me. Because I grew up listening to my dad who, as a Fifties rock & roll head, loved doo-wop music.
I was singing doo-wop on the corner under the streetlight with four other guys when it wasn't called doo-wop. We just got together and sang, so that music is inside of me. It's a lot of stuff that has been rolling around in here and becoming this compost and has made me who I am as a singer.
I did have my beginnings in doo-wop music; I had a group called the Tokens in Brooklyn. They went on, of course, to do 'The Lion Sleeps Tonight' and a lot of other great things. I went on as a soloist. But I still love doo-wop music.
I grew up around music. My father was a professional musician. We used to have a trailer house that we travelled in. I've always loved music. Started out loving to sing to the standards and songs of the early 50s, then that interest shifted to rock and roll, Motown, folk.
I love the story of how my parents met because it seems very 1950s Brooklyn. They met on a brownstone stoop as my father was singing a little doo-wop.
I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.
I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.
I'm a fan of all music, and probably my first - well, not the very first music I listened to, but back in the late fifties, when I first started hearing rock & roll, it was definitely tinged with doo wop and also Elvis and all those great songs.
When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.
Three-6 Mafia, we were always doing different kinds of things, and we like rock music, we like whatever - not saying they was rock, but they had a little rock-n-roll with some of their music, a little rock with it.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
Rock n' roll sounded like music from another planet. The first time around, we had people like Elvis, Little Richard, Chuck Berry, Jerry Lee Lewis - all them people.
Even though I loved the Fifties doo-wop, you couldn't hold on to it. You had to change, or you was gon' be antique real quick, like the Ink Spots. And then we were at Motown and you had the Rolling Stones, simple rock & roll became the new thing.
My dad was into the 1950s doo-wop era. If you look at those groups, or at James Brown, Jackie Wilson and the Temptations in the 1960s, you'll see you had to be sharp onstage.
You can really bring so much more to rock'n'roll. Rock'n'roll is the most accepting, is the most fertile ground for creating hybrid forms of music and hybrid forms of show, if you draw from many, many different wells. It's just unfortunate so many rock'n'roll stars only bother to learn how to play like Led Zeppelin and/or the Rolling Stones and that's what you get, disc after disc and show after show.
I would sing around the house, and I would always play on things just because instruments were always there, but I didn't show any genius as a child. I wasn't a prodigy or anything like that.
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