A Quote by Bruno Mars

With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me. — © Bruno Mars
With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me.
Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better.
'Fargo' is a tragedy with a happy ending. So you need to have that tragic underpinning, that all of this could be avoidable, and that's what makes it tragic. It's about the use of violence, and the fact that the tension in anticipation of violence and the tension in anticipation of a laugh are sort of the same.
Avoid the unhappy ending, the harsh, the brutal, the tragic, the horrible -- if you care to see in print things you write. (In this connection don't do as I do, but do as I say.
I think Sacajawea was caught in a series of tragic situations - her kidnapping as a child, her being passed from tribe to tribe, being sold into marriage. However, I never thought of her as a tragic figure. I do not think she was a victim in the way we think of tragic figures.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
Melancholy is a state that I very much enjoy being in, actually. It's not the same as feeling sad. It's a more complex emotion; it derives from a tragic view of the world, a tragic view of art.
After all, no one is ever taken in by the happy ending, but we are often divinely fuddled by the tragic curtain.
Look. (Grown-ups skip this paragraph) I'm not about to tell you this book has a tragic ending. I already said in the very first line how it was my favorite in all the world. But there's a lot of bad stuff coming.
Gangster movies are the inheritor of the Greek tragedy: it's the only genre where the audience will be disappointed if there's not a tragic ending.
There's always a party ending every day but also a new one being made. They are just chapters in our lives, ending and beginning.
My mother giving birth to me was just like Lady Sybil giving birth, except that there wasn't such a tragic ending.
Akri won't let me eat any of them nasty gods. What's the world coming to when a demon gots to beg for tidbits...not eve a finger sandwich or a single knuckle. Tragic. Terribly tragic.
Fortunate people often have very favorable beginnings and very tragic endings. What matters isn't being applauded when you arrive - for that is common - but being missed when you leave.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
A lot of people think that being skinny is the happy ending, and it's not. Being happy is the happy ending.
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