A Quote by Bruno Mars
As proud as I am of Doo-Wops I feel like, 'Oh, man. People haven't seen nothing. They don't even know what I'm about to do,' and that's what I can't wait to show the world.
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Everytime there's an NXT show, people are like, 'Oh, that's the greatest thing I've ever seen.' It's the greatest show on Earth. One of things that they have going for them is the fact they make you wait. They build to it properly. That's a good way to go at this.
I think the people I talk about are generally so stupid that they don't even know I'm saying bad things about them. I've run into Paris Hilton and she's like, Oh, I love your show. And I'm like, You can't love my show if you can hear.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
When people were like, "Oh, wow, Donald Trump is so crazy. That's so nuts, what's happening?" in the 9 a.m. meeting, Jon Stewart was like, "No, I've seen this before, in Robert Mugabe. I've seen Trump as an African dictator. You guys don't know about nationalist rhetoric all over Europe?" "No, I thought we were the center of the world." He has the ability to actually talk about that in a real way: "Oh, I've been there. I've talked to people there. This is just the remix on stuff that's been brewing for three, four years." That's something very special.
I have a good sense of my body in a bathing suit around people who appreciate what I'm doing, like a contest. Then I'm proud. On television I am proud. But on a beach most people are not experts. The general public doesn't know how to look. How proud can you be when they don't even know what they're looking at?
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
In those days, a gay man was made to feel nothing but shame about his feelings and his sexuality. I wanted my drawings to counteract that, to show gay men being happy and positive about who they were. Oh, I didn't sit down to think this all out carefully. But I knew - right from the start - that my men were going to be proud and happy men!
I've noticed that girls between like 20 and 30 seem to know 'Can't Hardly Wait.' I got the goth kids who know 'Buffy.' I got this wide spectrum of people who range from like 8 to 13 who seem to know 'Scooby-Doo.' Then I get the international people who seem to know 'Austin Powers' and 'The Italian Job.
I've noticed that girls between like 20 and 30 seem to know 'Can't Hardly Wait.' I got the goth kids who know 'Buffy.' I got this wide spectrum of people who range from like 8 to 13 who seem to know 'Scooby-Doo.' Then I get the international people who seem to know 'Austin Powers' and 'The Italian Job.'
My favorite show of my father Aaron Spelling is probably a show that was his favorite and that was a show called Family. He was the most proud of that show because, you know, my dad kind of got a bad wrap, I think. A lot of times people would say oh he just makes jiggle TV and it's all for entertainment purposes. But he did some really amazing shows as well that he was really proud of, that people kind overlooked. And Family was one of them.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
I suppose they think me an old man and imagine it is nothing for one like me to resign a life so full of trials. But I am not old - at least in that sense; you know I am not. Oh, no man ever left the world with more inviting prospects, with brighter hopes, or warmer feelings - warmer feelings.
I know too much; I've seen people at their worst, at their most desperate and selfish, and this knowledge makes me wary. So I am learning to pretend, to smile, to nod, to display empathy I do not feel. I am learning to pass, to look like everyone else, even though I feel broken inside.
The thing I'm going through is probably like the same thing that Little Richard and all these other artists go through, that I hear about them, saying, 'Oh damn, you ain't gonna give me nothing till I die,' ... I feel like I'm one of those type of great people that just going to have to wait till it's all over with for people to really sit around and talk about it.
All of a sudden one day I was like, I'm good at this! Oh, man! People are not giving me jobs because they feel sorry for me! I am an actress. I am a singer. I am a performer. That's what I do! Once I started giving myself a little credit, the whole world opened up.
A lot of people will always say, 'I really know nothing about the ancient world.' But there's lots and lots of things people know. Partly, they've been encouraged to think they're ignorant about it. In some ways, the job to do is show people that they know much more than they'd like to admit.
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