A Quote by Bruno Mars

My demo was terrible, I sounded like a chipmunk. I was so young. — © Bruno Mars
My demo was terrible, I sounded like a chipmunk. I was so young.

Quote Topics

When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young
I wasn't the kind of guy who was like 'here's my demo,' or 'listen to my demo.' I just never thought it was that good.
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."
A few girls would be catty and say that my voice sounded really high, and I sang like a chipmunk, I got a few prank calls about that a few times. But it didn't really bother me that much. I think I was so focused on music that nothing could break me or get in my way.
I knew from a very young age that I was going to use my voice. I've basically sounded like this since I was 9.
John Fiedler's voice was kind of like the wind blowing through tall grass. It sounded homey and it sounded comforting.
Love sounded terrible if it made you so weak, you couldn't survive with out it.
MTV refers to its audience as 'the demo.' Being 'in the demo' means being in the demographic sweet spot that advertisers want their programming to hit, which is ideally between 18 and 24.
It was a song I wrote for my wife as a present, never intending for it to be a Styx song. 'Babe' was a demo. The demo became the hit record, including all the background vocals, which were done by me.
So when I was working with Amy Winehouse on "Back To Black," you know, she had all these beautiful songs, incredibly well-written and just her on an acoustic, nylon-string guitar. And she'd play them for me, and then I would kind of drum up my idea of what I thought - make a demo with what I thought the drums should be doing, the guitars - like, quite a crude demo.
When I started in this business, everybody said the Democrats were the better communicators because they sounded like social workers, and Republicans were awful because they sounded like morticians. In some cases. they actually dressed like morticians.
I limited myself to one shout a day. But I didn't like the sound of my voice. It sounded panicked, it sounded scared. And I knew from experience you can't hear more than 50 yards either way down a canyon.
I think that the ideal of young womanhood as it's seen in pop culture specifically is a really kind of vapid, conceited, concerned with money and looks kind of thing that you'll see in a lot of reality shows. And I think that's really damaging, not just because it's a terrible role model to put forth, but that it also puts across this idea to the American public that this is what young women are like, that this is what all young women in America are like.
I think the people who are sitting in their living room doing those, 'Let's take country music back' blogs and all that stuff, that's crazy to me. No one's saying that about rock & roll, and no one sounded like the Beatles since 1960. No one says that about R&B, and no one sounded like the Commodores since 1970.
The first generation of CDs sounded terrible. Any chance to remaster would make the music sound better than what was already out there.
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