A Quote by Bruno Mars

I'm the Nickelodeon version of DangerMouse. — © Bruno Mars
I'm the Nickelodeon version of DangerMouse.

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People ask me, 'Why are you doing a show on Showtime?' Because I'll do anything really, I don't really care, I'll do a show on Nickelodeon if I thought it was well written. Actually Nickelodeon's kind of awesome.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Every writer from Montaigne to William S. Burroughs has pasted and cut from previous work. Every artist, whether it's Warhol or, you know, Dangermouse or whoever.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven't got a long-term plan, then you are merely a passing phase, the latest trend, yesterday's event.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven’t got a long-term plan, then you are merely a passing phase, the latest trend, yesterday’s event.
The magical approach is indeed the natural approach to life's experience. It is the adult version of childhood knowledge, the human version of the animals' knowledge, the conscious version of 'unconscious' comprehension.
I owe a lot to Nickelodeon.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
I did a pilot for Nickelodeon that didn't end up going to series.
I'm forever in debt to Nickelodeon. It made me who I am today.
I'm so into playing different characters, even when I was on Nickelodeon. I just observe.
I think we all carry within us different versions of ourselves. Our true, greatest, most honest versions of ourselves can either be developed and nourished, or it can remain dead from neglect. Most people opt for the easiest version rather than the best. But in the end which version lives, which version thrives and which version dies, depends on the choices we make and the people in our lives.
Very specifically, Nickelodeon is aimed at eight- and nine-year-olds.
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