A Quote by Bruno Mars
What I'm hoping is that every album I'm going to do will give my audience something different, and that they'll grow as I do.
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I'm just experimenting with every different type of music you can imagine and seeing where my voice lies and what sounds best. I think when I do finally do the album it will be very eclectic - just loads of different stuff on it. That's what I am hoping.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
It'll be basically a live album, but it will also include songs, Judas Priest songs, the audience have never heard before, because we felt we wanted to give the kids something else, something they haven't already bought.
Every time I come with an album I try to do something different and obviously my life has an influence on how I feel and the type of message I want to give with the music.
You have to leave the window open for better classes to come along as you go. You can't grow too proud of your script. You have to let the thing shape itself. It guarantees the best classes will always be used and it also keeps you from going braindead. If you grow bored and uninspired working on something, the audience will be able to tell.
We're not going to get into how many deals I've had. I don't think there is a label that I was signed to that we didn't deliver an album. Every time the album got ready to be mixed and mastered, it was always a situation. That's neither here nor there, because Tony Sunshine is a different guy now, a different entity.
I think when you write every song on your album - it's like having eleven or twelve children. It's hard to say I like this one song more or I like that one more. I love every song on the album. What's happening is that I'm hoping that everyone will be very satisfied. I think the single "Good Girl" will be adored by the people in the urban world and I think the "Best of Me" will be loved by people in the pop world.
My constant endeavour is to offer something new to the audience. Every movie I pick, including 'Loafer', which offers a strong mother sentiment, tries to give the audiences a sense of watching something different.
The reason I stopped doing the band is that I wanted to do something different... Yes had become like 'Groundhog Day' for me. I loved being in the band, but it was album-tour, album-tour, different album-different tour.
I will grow. I will become something new and grand, but no grander than I now am. Just as the sky will be different in a few hours, its present perfection and completeness is not deficient, so am I presently perfect and not deficient. I will be different tomorrow. I will grow and I am not deficient.
I stand on stage hoping to give good energy to the audience, but if I cannot give good energy anymore, I will have to leave right away.
You're going to pass something down no matter what you do or if you do nothing. Even if you let yourself go fallow, the weeds will grow and the brambles. Something will grow.
The key is to constantly keep the audience surprised. If they feel like something is going to happen, or they think from an educational standpoint that something is about to happen because of all the moving parts, it is your job to break that expectation and show the audience something different.
There are two very different types of hope in this world. One is hoping for something, and the other is hoping in Someone.
Sometimes I know a film might not pull the audience to the theatres and have a great collection at the box office. But I need to do these films for creative satisfaction and give something different to the audience.
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