A Quote by Bruno Mars

I don't try and be dark, but there are obviously darker emotions that I want to capture sometimes. — © Bruno Mars
I don't try and be dark, but there are obviously darker emotions that I want to capture sometimes.
I work with a lot of production that's really positive and contains a lot of soul stuff. Those instrumentals project the happiness out of me. But, sometimes I get a darker beat, with some dark piano or something... and then I'll do darker tracks.
When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.
Jewelry isn't a necessity, but sometimes it can bring out my fashion. Sometimes if I'm wearing very dark clothes, like darker colored, black, anything like that, and I put white jewelry on top, it look crazy because it's like, the contrast of the diamonds and the dark clothes.
I like a person who knows how to say something dark at a very dark moment. The darker the moment and the darker the comic, the better. Something that is so wrong on all levels.
In a dark time, the eye begins to see / I meet my shadow in the deepening shade...Dark, dark my light, and darker my desire.
When inspiration and emotions are sudden, and you can truly capture something, then, yeah, of course it feels good. But when you’re stunted, and you’re having trouble expressin’ yourself, then obviously it doesn’t. So it’s never constant.
I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.
I wouldn't go blonde. I'd like to do a darker color - a really dark, dark red.
Sometimes people think that regulating their emotions means trying to act as if they don't have feelings. But, that's not the case. A realistic view of emotions shows that we're capable of experiencing a wide range of emotions, but we don't have to be controlled by those emotions.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
I try to see the dark and light in everything. This is my way of comforting myself when I am dealing with those emotions.
Maybe we all have a dark place inside of us, a place where dark thoughts and darker dreams live, but it doesn't have to become who we are.
The most important thing in imaging for me is the dynamic range. The dynamic range means the tones that you can capture from highlights to dark and the bits, the depth of color that you can capture.
I have dark blonde hair - and it needs help. I went darker, when I was 18, in one of those 'I'm 18, and I can do what I want' moments. It's been that way ever since.
When you're acting and you need to cry, you want to put yourself in a position where you're trying not to cry, because that is generally what people try and do. They try to hold on to their emotions, they don't want to lose them.
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