A Quote by Bruno Mars
I grew up listening to the Police, I grew up performing in bars, singing Police songs.
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It's been rough for me trying to find my position in the struggle and where my voice is needed and helpful. You know, I grew up in Philadelphia, and Philadelphia has a really rough police-brutality history. I grew up in a neighborhood where it was very clear that the police were "them" and we were "us".
I know there are some good American police. But I grew up in a country where we were afraid of the police.
Seeing my son getting roughed up by the police is not fun. It brings back memories of when I got roughed up by them. He grew up totally different than how I grew up, and to me, he shouldn't have to go through that.
Where I grew up - I grew up on the north side of Akron, lived in the projects. So those scared and lonely nights - that's every night. You hear a lot of police sirens, you hear a lot of gunfire. Things that you don't want your kids to hear growing up.
We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
I grew up in an environment where it was permittable to use violence to solve a problem. But it was not permittable ever to call the police under any circumstances. That was the kind of doctrine of my household. My dad was a career-long criminal, and you weren't calling the police for any reason.
I grew up without TV, I grew up listening to radio, I grew up reading.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
Well I grew up in England, and I was in the London police.
A lot of black people worked with the police as snitches. We used to call them bimpees where I grew up. And, you know, they were afforded special privileges. They may have been paid by the police. But you never knew who was informing on you. We lived either next door to or - two doors away from us was a known informant in Soweto.
I was starting to play the ukulele at the same time I was having all these conversations with [the late Ramones guitarist] Johnny Ramone, these intense tutorials staying up late and listening to the music he grew up on, and picking up what's a great song and what makes a great song. He was all about lists and dissecting songs, like what's a better song by Cheap Trick: "No Surrender" or "Dream Police"? Sometimes you'd be surprised by the answer. It was an interesting dichotomy between hanging out with the godfather of punk rock and starting to play the ukulele. They came together.
I grew up listening and looking up at these people and laughing at Carol Burnett and singing James Taylor songs. And same with Smokey Robinson. So they were such a huge influence as a child that to actually sit alongside them and perform on the same bill was an amazing experience for me.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
I grew up in an international school community my whole life, and my national identity is very confused, so I grew up listening to music from all around the world.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
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