A Quote by Bruno Mars
I really wish I knew what I was doing because I'd be writing hit songs every minute.
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Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
It's really hard to write personal songs. I'm not good at writing ditties because as far as writing hit songs that you pitch to the national artist, I just don't write that way.
When I was a kid and writing more acoustic songs, I was doing it more for the attention than for the love of the music. I knew I needed to change something because I wasn't having fun and wasn't liking the songs I was writing.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
Sometimes I wish that I was a bong hit, you'd let me in and you would love every minute.
Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good. I agree with Jim [Lauderdale] in that I think the really good ones are songs that when you hear it [sic]...there's just something about it that touches your heart, and you don't know why.
When I first started writing these kind of songs that would eventually become Decemberists songs, I was writing them because I knew that nobody was listening at the time and that it wouldn't hurt to challenge myself and get weirder and see if I could alienate more people
Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
Just because you're a star on television doesn't mean that you can be a music phenomenon or an artist. You have to have the material to back it, and it's all about hit songs. I can name you every "Idol" winner and why they didn't go on to have success - their songs. The ones who have - their songs.
Just because you're a star on television doesn't mean that you can be a music phenomenon or an artist. You have to have the material to back it, and it's all about hit songs. I can name you every 'Idol' winner and why they didn't go on to have success - their songs. The ones who have - their songs.
When I was doing 'In the Heights,' I was the co-music supervisor for 'The Electric Company' on PBS, so I was writing songs all day, doing the show, staying up until 3 A. M. Writing more songs, recording demos in the intermission in my dressing room.
Writing is so... I don't know, it's such a practice, and I feel very unpracticed in it, because I'm not doing it every day. And I really need to do it every day. In other words, you spend all this time writing a movie, and then you stop, and then you're shooting the movie, and then you're cutting, and a year and a half goes by, because in the editing room, you're not writing.
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