A Quote by Bruno Sammartino

If anybody can really beat me, fine. But that's the only way I'll go down. — © Bruno Sammartino
If anybody can really beat me, fine. But that's the only way I'll go down.
I love that mentality: 'Hey - you know what? - you may beat us, but by God we're going to beat the hell out of you.' I'd rather go down that way, with people that will go down swinging than, 'OK, let's accept losing.'
I think I tried to separate indoors and out. And so when he beat me indoors, I did not see that as letting anybody down, I saw it as a good head to head competition, and so it was. It was fine.
Anybody wants to challenge me, if anybody gets in my way, right, if anybody ticks me off, those are all possible options for people that I want to throw down with at 'SummerSlam.'
You love the game, but it's hard to do the things you do when you're feeling like you're a leg down all the time, literally. Or you're always beat up, even coming into the season. So it's just not as fun when you're down, and you got to work your way up. And you can't really get there because you're so beat up.
It's a very vulnerable position to be in. I was so young and I was not focused on what I looked like. I was focused on the gold medal. At the end of the day, I have changed. I can't blame anybody for saying, 'Oh, she changed!' You know, because I have. And that's OK. It's good to keep evolving and growing. I think most people should be accepting with stuff like that, but you know, you can't force anybody into feeling a certain way. So for anybody who's judging it and not liking it, that's fine. Unfollow me. I don't really care.
I don't really advocate for psychedelics. I don't really think anybody needs to do them, or has to do them. For me, they were the only way I could have cracked open my own spirit in a way.
When I would lose matches, I fully respected the person who beat me, because they beat me. I can't blame anybody.
People don't really compare me to anybody. They just say I'm a mumble rapper. I'm fine with that. I don't really care.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
If there was a turning point for me, it was 'The Bridges at Toko-Ri.' It is a very fine short novel. But it gave me very little satisfaction. Really. I decided I wasn't going to go down that avenue.
Anybody who has wanted me to go out there and pull some emotion out and act like we are going to get down, that's what I specialize in. That's fine. That's something that I do, and that's something that I've done over the breadth of my career. With Brock Lesnar, regardless of who he is, it was going to be no different.
Don’t go where it is all fine music and grand talk and beautiful architecture; those things will neither fill anybody’s stomach, nor feed his soul. Go where the gospel is preached, the gospel that really feeds your soul, and go often.
Golf really excites me only when the course is difficult and challenging. I love competing. The pressure of competition against fine holes and fine players makes me feel very much alive.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
I'll fight anybody my trainer puts me in with because I'm confident I can beat any fighter in the world. If anybody can see I'm almost a master at evading punches coming at me.
I believe in the power of motion, the wisdom of gravity, the emptiness of true love, the fact that there is no way out but through the body, no way up unless we all go together, no way down unless we follow the beat, no way in unless we embrace the dark.
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