A Quote by Bruno Sammartino

I think people saw me as someone who was real, and not somebody subject to the criticism and ridicule given to my profession. — © Bruno Sammartino
I think people saw me as someone who was real, and not somebody subject to the criticism and ridicule given to my profession.
I think you can make fun of anything except things people can't help. They can't help their race or their sex or their age, so you ridicule their pretension or their ego instead. You can ridicule ideas - ideas don't have feelings. You can ridicule an idea that someone holds without hurting them.
I think, first of all, every time you want to play somebody who is real is always challenging and always scary, because you are given a responsibility of someone's real life.
My clinical psychologist wife of 40 years has always had a close intellectual influence on me. When I was beginning to talk openly in the economics profession about irrationality in decision-making, I received a lot of criticism. Ginny would support my views and remind me that a whole other profession - psychology - studies people's irrational sides.
I have been the subject of ridicule. People talk about me and they don't know me and this is an opportunity to tell my story ... to have my voice and to set the record straight.
I have been the subject of ridicule. People talk about me and they don't know me and this is an opportunity to tell my story... to have my voice and to set the record straight.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
I can't be someone that I'm not. And people can spot when someone's being fake, when somebody's not being real, when somebody's sugar-coating stuff. People don't like that.
I have dealt with criticism from my first drama, and I think that is a part of our profession. It brings me down but definitely pushes me to do better.
The characteristic shared by people at the top of their profession is that, to get better, they crave criticism. Most people don't like criticism, but if you are trying to shave two tenths of a second at 800 metres, that is what you crave.
That was one of the big problems in the [Black Panther] Party. Criticism and self-criticism were not encouraged, and the little that was given often wasn’t taken seriously. Constructive criticism and self-criticism are extremely important for any revolutionary organization. Without them, people tend to drown in their mistakes, not learn from them.
I think self-criticism is sort of a given when you're an actor. It's also about being curious and not being flippant. Anyone who accepts being in this noble profession is automatically self-critical.
In much of today's popular culture, the virtues of forgiveness and kindness are belittled, while ridicule, anger, and harsh criticism are encouraged. Let us not hurt the ones we love the most by selfish criticism!
When somebody brings up a movie (of mine) that I haven't heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, 'Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.' It's real. I really did do that, because someone today remembers it.
One of the hardest things to live with in any relationship is criticism, real or implied. Criticism is a form of humor for them, and they enjoy feeling superior when they see someone else's discomfort.
I think the hardest part about being a teenager is dealing with other teenagers - the criticism and the ridicule, the gossip and rumors.
When I first went to Israel, I saw soldiers pushing Palestinians around and thought, 'I can't stand this'. Then I'd meet somebody in a bar saying what wonderful people the Palestinians are and what mamzers the Jews are, and I'd think, 'Hang on'. It should be hard to make up your mind on any serious subject.
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