A Quote by Bryan Adams

Music became my focus. At 13, I was jamming with my mates. At 15, I was playing clubs. — © Bryan Adams
Music became my focus. At 13, I was jamming with my mates. At 15, I was playing clubs.
At 15 or 16 I had been to 12 or 13 clubs.
Obviously when you grow up in the area you love playing on the street, and to go from playing on the street with my mates to playing at Upton Park is a bit surreal, and 15 years on to still be in the heart of the West Ham midfield is quite good going!
No it wasn't at the time cause you have to remember, I had been playing clubs since I was 13.
I'm a keen musician. Me and my mates have a great times jamming and recording stuff. We have a great band behind us and have turned my nursery-rhyme songs into quite credible pieces of music.
The conventional asset-allocation method is like sheet music. It is prescribed, it has right answers and wrong answers and it sounds about the same every time. But jamming is different. Jamming is when you make the music. When you improvise and adapt to conditions. When you are creative.
When I was around 13 years old, I started playing in bands and became obsessed with Blink-182 and Newfound Glory. I didn't pay attention to country music anymore; I wanted to do more pop rock stuff.
I'm prepared to spend the rest of my life playing clubs, if that means I'm playing music that I believe in.
When I got old enough to go to night clubs to hear that music at the age of 15.
I started playing with a group of young people when I was 13. I turned professional when I was 15 and I played dance halls, this on bass guitar.
You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
I was the kid jamming out to the songs on the radio, and now there's hopefully kids out there jamming out to my music.
First, I started to play the organ. I did that until I was 11. From the age of 11 to 13, I gave up music entirely. And then at 13, I picked up the guitar, and after one and a half years, I started practicing intensively. I began playing in rock bands, and it was there that I discovered that the music I liked to write was always instrumental.
Man I mean, the great thing about playing clubs in Harlem is people have an appreciation not just for the music but for the history of the music.
When I was five, 10, 15 years old, I always dreamed of being in the best league in the world, playing with some of the best clubs.
When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.
Being like 14 and 15 years old, listening to trance music in my home, I just had this fantasy of going to these big clubs and going to these massives, and just hearing this gorgeous, delicate music.
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