A Quote by Bryan Batt

It's funny... musical theater is what paid my rent and kept me going for the longest time. — © Bryan Batt
It's funny... musical theater is what paid my rent and kept me going for the longest time.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I worked at Deutsche Bank for about eight years on their overnight shift. I was working consistently in the theater. I just wanted to know that my rent was going to be paid on time!
I became an actor kind of by accident. I was in musical theater and I got a job as an actor in a play and kept going. But I never set out to be an actor; it happened over time.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I don't think the expectation is that the 'Psych' musical is going to be 'Rent,' so I think as long as we didn't completely humiliate ourselves and it is funny and it is in the tone of what we do, we'd have a fighting chance of pulling it off.
When I got to high school, I was going to do sports, but I got kicked off the volleyball team because I kept missing it for musical theater.
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
In 1987, when I was 19, I was studying musical theater at Boston's Emerson College. My sister, Tricia Leigh, told me about a summer acting retreat in Italy. Mom paid, so off we went.
In the theater, it's about taking time in a musical segment, a pause in a musical way and then moving on.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
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