A Quote by Bryan Batt
I grew up in a very celebratory town. We celebrate everything, from life to death and everything in between. So a lot of dramatics come into my aesthetic. And I'm an actor, so that adds more to the dramatic - I don't mean over-the-top. The main thing is never to be boring.
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Whatever expectations I had for myself, none of them have come to pass. I grew up thinking I was going to be an actor, which I am. But I thought I'd be a very serious sort of Shakespearean guy going from town to town having sex with various Juliets all over the country.
You invest a lot in your kids, from the sleepless nights early on and the frightening trips to the emergency room, to homework assignments and a million miles of taxi driving. The great thing is that everything you put in counts, and with a bit of luck, one day they will realize it. Love adds up to something. It's indestructible and immortal and carries long on after your own life is over. Who could ask for more?
As a director, I have to do everything. As an actor, I'm just worried about one role, that's it. As a director, everything is important. Everything is something you have to be very detailed and specific about in telling a story. So for me, the job is far greater than just being the actor, there's a lot more responsibility creatively, technically.
I like everything loud, over the top, dramatic.
I didn't grow up in a creative environment. It was very boring town, boring everything. You go to school and you basically hate all the other kids because you don't understand them or what it's all about. At the same time I'm happy for that because I became very withdrawn and when you become withdrawn you develop your own bizarre-o personality.
As much as I loved Pacino and De Niro and wanted to be a dramatic actor, I also grew up on sitcoms. I grew up on 'M*A*S*H' and 'All In The Family' and 'Cheers.' And then around this time - this would have been '95, '96 - I was so into 'Friends' and 'Mad About You,' the idea of being on a sitcom became a very real thing that I wanted.
Giving up everything must mean giving over everything to kingdom purposes, surrendering everything to further the one central cause, loosening our grip on everything. For some of us, this may mean ridding ourselves of most of our possessions. But for all of us it should mean dedicating everything we retain to further the kingdom. (For true disciples, however, it cannot mean hoarding or using kingdom assets self-indulgently.)
I grew up in Mountain Pine, Arkansas. You get no more country than where I grew up. But I also grew up in the Napster / iTunes / Spotify/ iHeart Radio era, and so I see that everything is influenced by everything else, and that's what country music is now.
The truth is... everything counts. Everything. Everything we do and everything we say. Everything helps or hurts; everything adds to or takes away from someone else.
Who wouldn't like to give up normal life? I mean, normal life, you know, is the second worst thing to death itself. I think normality is something that makes everything very static, and I try to make my days, my daily routines, as uneven and rich as possible.
I think you get to a certain point in your life and where you grew up stops reminding you of when you grew up. Everything changes, everything metamorphosizes.
I was the kid in the class who was looking for the angles to question things or make wise-ass remarks, not knowing enough to be afraid of being myself or showing intelligence. But I wasn't the only kid like that in my classes because of where I grew up. I'm really thankful I grew up in a town where there were a lot of other mutant kids. I'm from Boulder, Colorado, which went through a lot of dramatic changes when I was growing up.
I grew up in a town called Hopedale, Massachusetts. I was born there in 1964, and the only thing I hate outside of myself is everything else.
My position now, especially in this town, adds an element of skepticism with people you meet - especially girls. I mean, it becomes a lot more difficult.
Growing up I played piano and I sang at a lot of weddings; I grew up in a very small town, a little coal-mining town in Virginia called Grundy. And my family was very sing-songy at home.
With Neptune City, I could have been singing about anybody's life that grew up where I did. The town I live in it isn't that magical, but when you're growing up, you think that everything is so important.
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