A Quote by Bryan Burrough

You never know what to expect when you're a writer visiting a movie set. — © Bryan Burrough
You never know what to expect when you're a writer visiting a movie set.
Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
I never expect anything. I am always amazed at why anybody goes to any movie or why anybody doesn't go to any movie. Any movie you make, you make it because you're hoping somebody wants to see it, but you never know.
I could never be the kind of writer who went to the set of the movie and fussed and fretted about, 'Oh, that dialogue's wrong,' or 'That character doesn't look like that.' That would be insufferable.
Listen, there are some movies that are set in stone and the writer or the director does not want to change, but I've never worked on a movie, including my own, that didn't take advantage of a rehearsal process.
Actually shooting a 3-D movie is not different at all than making a 2-D one. You never really notice that you're making a 3-D movie. The terminology used around the set is a little bit different, but other than that, you'd never know.
I never know as a writer when I set out into a novel where it's going to take me.
I've always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you're traveling from movie set to movie set. So I've never been in one place long enough for anything super-bad to happen.
I’ve always lived out of a suitcase. I was in a new city every three months. When I was a model, I traveled the world, and as an actor you’re traveling from movie set to movie set. So I’ve never been in one place long enough for anything super-bad to happen.
A writer doesn't really have much of a function on a movie set.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
I didn't even know how to judge 'Die Hard 1.' It's not anything I know how to judge. I'd never seen an action movie. I'd never seen a Sly Stallone movie or an Arnold Schwarzenegger movie or a Charles Bronson movie. And that is the truth.
Me and my brother Sunny never had the enthusiasm of visiting a film set or going to a screening or attending parties and meeting actors.
You know where the people who killed people in San Bernardino came from. You know where people who did 9/11 came from. You know where the people who did Paris came from, where they transited, where they went. None of them even set foot in Iran. So why are you punishing people who are visiting Iran for that? . . . We're not going to radicalize them. We never have. Your allies have radicalized people who visited.
Starting my carrer, I had three rules. I called a press conference and said: you can't kill me in a movie; I win all my fights in a movie; I get the girl at the end of the movie if I want her. They weren't about to hear that, and I knew that I would have to do that myself, but I set the public up and set the press up letting them know what I was going to do: continuing to sell the brand and image that I had.
I'm not sure. I did not set it up. I have never done a polygraph test in my life. I didn't know what to expect. I was just there to answer the questions that they put in front of me.
The same way that I know that I'll never do a movie as good or as celebrated as 'Forrest Gump,' I know that I'll never do a movie as bad as 'Bonfire of the Vanities.'
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