A Quote by Bryan Cranston
I have a bad habit of inserting my ideas into shots and things. I don't know, I don't hold back on suggesting things, but I don't have any connection to what actually happens, so I'll make a suggestion on something and then just let it go.
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With wrestling, you can't describe how that connection with an audience happens. I can't teach anybody how that happens. The bad things that have happened to me in WWE have made that connection stronger.
When something happens, I always check myself and know it's going to go away. So be prepared for it. This is a tough business for actors who are sensitive. If you try to hold on to things, you'll go crazy.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
I think that pretty much every form of fiction (I’d include fantasy, obviously) can actually be a real escape from places where you feel bad, and from bad places. It can be a safe place you go, like going on holiday, and it can be somewhere that, while you’ve escaped, actually teaches you things you need to know when you go back, that gives you knowledge and armour and tools to change the bad place you were in. So no, they’re not escapist. They’re escape.
If you hold on to certain things that are comfortable and maybe a bad pattern for you psychologically, then you rob yourself of the experience of the next thing that happens when you do start to let go. It's only by trusting that, and by the leaps of faith, that you remember that's true.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
The best music happens when you have a personal connection to it. That same philosophy can extend to the instrument you hold in your hands: if a guitar means something special, you're bound to do great things with it.
I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.
Nothing you love is lost. Not really. Things, people—they always go away, sooner or later. You can’t hold them, any more than you can hold moonlight. But if they’ve touched you, if they’re inside you, then they’re still yours. The only things you ever really have are the ones you hold inside your heart.
Things change. I used to have a real resistance to it and hold on to things, but let things happen and go with it, and you will actually go through it, and it's a lot less stressful.
I suppose when the things that give you bad dreams live inside you, there's no point in trying to stop them. They're going to come out whenever they decide it is their time. Better just to close your eyes and hold on tight, the faster to get the things you fear to go back to sleep themselves.
I have always employed humor, and I think it’s absolutely crucial that we do because, among other things, humor is the only free emotion. I mean, you can compel fear, as we know. You can compel love, actually, if somebody is isolated and dependent — it’s like the Stockholm syndrome. But you can’t compel laughter. It happens when two things come together and make a third unexpectedly. It happens when you learn something, too.
When I think of the things that I want to write, I can never say them out loud because I know how crazy they sound. I know what things sound like when you haven't actually worked on the script, so I don't go around saying some of these ideas because they just sound awful.
One of the first major programming projects that I worked on when I was growing up in Ireland, back just coding by myself, was a programming language. Then I spent a bunch of time working on a new web framer. Just back-end things to make it easier to go in and build things on top of, do other development.
When we hold each other, in the darkness, it doesn't make the darkness go away. The bad things are still out there. The nightmares still walking. When we hold each other we feel not safe, but better. "It's all right" we whisper, "I'm here, I love you." and we lie: "I'll never leave you." For just a moment or two the darkness doesn't seem so bad.
You know, I wouldn’t have done this a month ago. I wouldn’t have done it then. Then I was avoiding. Now I’m just waiting. Things happen to me. They do. They have to go ahead and happen. You watch – you wait… Things still happen here and something is waiting to happen to me. I can tell. Recently my life feels like a bloodcurdling joke. Recently my life has taken on *form* Something is waiting. I am waiting. Soon, it will stop waiting – any day now. Awful things can happen any time. This is the awful thing.
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