A Quote by Bryan Cranston

My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me. — © Bryan Cranston
My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me.
Whether you're an actor, producer, writer, or director, it's all about the story you're going to tell.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
My college training was primarily in theatre, with an eye to becoming a director, actor, or producer.
I'd been on all the television programs as an actor, as a writer, as a director, as a producer.
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
I don't move until an actor is happy, but it was very important to me as a so-called "first time director" to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
In this day and age, if you're aspiring to be an actor, and you're putting all your eggs in one basket, you could be disappointed. I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first 8 to 10 scripts were pretty horrendous, but I stayed at it until I eventually found a voice and a subject that people were interested in. So, I recommend that you go out and try to be as versatile as possible: writer, actor, producer and especially director.
I think having women behind the cameras is exciting - whether it's as a director or a writer or a producer - because it does feel like we're in the middle of this awakening of realizing that it's important for women to have a voice.
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
I want to be a director, producer, and a writer. And an actor. So, like, all the things in acting, basically.
Every actor, director, and producer want all their films to do well. So you choose the role carefully, listen to the script, and work hard. But there is no way of predicting whether it will be a hit or a flop.
I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
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