A Quote by Bryan Ferry

I like to think Duke Ellington would probably embrace a fragrance as well. — © Bryan Ferry
I like to think Duke Ellington would probably embrace a fragrance as well.
As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.
[Prince] could very well be the Duke Ellington of Rock 'n' Roll.
[I wanted] to play the clarinet well so I could be in Duke Ellington's band, but that's now impossible.
Like, even going to Duke Ellington School of the Arts, like, they slept on me. I think they thought I was talented, but for whatever reason, they didn't want to give me a lot of solos or any type of just love like that. But I don't know. I think that's what encouraged me to grind so hard.
I remember the night when I was playing at Birdland, and Duke Ellington walked in wearing that cap of his and with all his elegance. The Duke then came backstage, and I was there with my band. That's the one thing I miss.
I think I just had it by osmosis: an appreciation of Duke Ellington before I really even knew who he was.
My teachers are Duke Ellington and nature.
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!
I think it was Duke Ellington who once said that we're always most pleased with our current record. I mean, you have to assume that you learn from one, and you do something better next time.
I made three visits during my senior year of high school to Duke, UNC, and Virginia. If I hadn't gone to Duke, I would have went to Carolina, just like a lot of Carolina players who, had they not gone there, would have went to Duke.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
You always come back to Duke Ellington - he's kind of like the thread that holds everything together from the big band descending to lots of jazz, actually.
It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good.
Count Basie was college, but Duke Ellington was graduate school.
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