A Quote by Bryan Ferry

When I stopped touring in the early '80s for a few years, it was a mistake looking back. I lost touch with my audience in a way and I think that was a bad career move. — © Bryan Ferry
When I stopped touring in the early '80s for a few years, it was a mistake looking back. I lost touch with my audience in a way and I think that was a bad career move.
In the periods of my career when I stopped passing the ball forward or when I stopped looking for the risky pass that might open up a defence, the consequences were the same. The manager stopped picking me. I got back into the team when I went back to doing it the way he wanted.
The day Bengali cinema lost touch with literature and started aping the south, the middle class audience stopped going to the cinema halls and later the larger audience too stopped going.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
The way I am looking at things is that I would rather miss a few weeks of a year so that I have a few more years in my career.
The future of the church is also about looking back and looking at where we see these wonderful renewals and what we can learn from the early church. I think it is a really exciting time where Phyllis Tickle said every few hundred years the church needs a rummage sale where we can get rid of some of the clutter.
I got into computers back in the early '80s, so it was a natural progression of learning about e-mail in the mid-'80s and getting into the Internet when it opened up in the early '90s.
I turned down a film that was offered to me in the very early '80s, a Scorsese film. That probably wasn't a good career move.
Early on, when I was playing the one-day stuff a few years ago and had a really poor start to my career, it was actually when I stopped worrying about getting dropped and about all the things that might go wrong that I started playing better.
If you really stop to think about it, the last really big guitar hero was Eddie Van Halen, and that was back in the '80s - early '80s, you know what I mean? That's a long time ago.
I think having a back-up plan is never a bad thing. I would hate to be a male footballer and look back on 15 years of my career and think, 'Oh well, I've got a lot a money but what now?'
If you take away the last few years, from my last year in Washington, and you think about my career, there was nothing but hard work. I was in the gym three or four times a day, working on my skills. If we lost a game, and I thought I played bad, I'm staying in the gym to keep shooting. That's what I did. That's what I was known for: I was a gym rat.
If you go back in time to the '60s, the '70s, probably the early '80s, British professional wrestling was the most respected region of professional wrestling on the planet, and somewhere along the way that got lost and wrestlers were forced to America or Japan or even Mexico to make a living.
My mother was determined to make us independent. When I was four years old, she stopped the car a few miles from our house and made me find my own way home across the fields. I got hopelessly lost.
In the early days of the video game business, everybody played. The question is, what happened? My theory - and I think it's pretty well borne out - is that in the '80s, games got gory, and that lost the women. And then they got complex, and that lost the casual gamer.
One of the greatest handicaps is to fear a mistake. You have stopped yourself. You have to move freely into the arena, not just to wait for the perfect situation, the perfect moment... If you have to make a mistake, it's better to make a mistake of action than one of inaction. If I had the opportunity again, I would take chances.
Touring with Brian May was like a dream come true that happened early in my career. He inspired me with the way he harmonized and layered his guitar sounds.
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