A Quote by Bryan Fuller

As an insecure writer, I'll finish a scene and worry there's a better version of it. Or it could be elevated somehow. — © Bryan Fuller
As an insecure writer, I'll finish a scene and worry there's a better version of it. Or it could be elevated somehow.
I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.
I worry about every newspaper. I worry about the financial undertaking, and I worry that somehow the loss of the sale of the paper version will affect their ability to have journalists and editors and producers. We really need those.
Though my life is low, if my spirit looks upward habitually at an elevated angle, it is as if it were redeemed. When the desire to be better than we are is really sincere we are instantly elevated, and so far better already.
Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
Learn a lot about the world and finish things, even if it is just a short story. Finish it before you start something else. Finish it before you start rewriting it. That's really important. It's to find out if you're going to be a writer or not, because that's one of the most important lessons. Most, maybe 90% of people, will start writing and never finish what they started. If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.
I'm still insecure, but when I first started acting, I was really insecure. I glared at a lot of people. I assumed everyone hated me. Somehow that scowl has turned into an acting career.
I can't really sit around and talk with people who believe that the Bible is the way it happened, because that's man-made. I'm a writer, too; that's how I look at the Bible. Like, 'I could've written a better version than that,' you know? At least a more interesting one, and then maybe more people would go to church. I could definitely do a revamp.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
When I listen to my own records, I always think, 'Oh, I could have sung that so much better.' But you have to finish something and turn it in. If I didn't have folks who say, 'Come on, we need the record now,' I probably would never finish one.
Once, after a long week, I felt so insecure that I decided to make a list of people who thought I was funny even if I didn't think I was. At the top of the list, I wrote, 'Garry Shandling.' His early praise protected me like a comedy-writer version of Harry Potter's scar.
You know, when you finish the day, and you finish the scene, you don't get a chance to go back to it. So you wanna make sure that everything is left on the floor.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.
Finish. The difference between being a writer and being a person of talent is the discipline it takes to apply the seat of your pants to the seat of your chair and finish. Don't talk about doing it. Do it. Finish.
It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
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