A Quote by Bryan Fuller
Anything that happens on any show is a plot contrivance because that's just storytelling.
Related Quotes
Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.
What interests me about fiction is plot. And what interests me about plot is whether someone tells a story that moves me within the constraints of storytelling. And I have narrowly defined storytelling.
I've always figured the only way I could finish a book and get a plot was just to keep making it longer and longer until something happens - you know, until it finds its own plot - because you can't outline and then fit the thing into it. I suppose it's a slow way of working.
There's a rule for what makes good fantasy work, and it's as strange as any riddle ever posed in a fairy tale: In fantasy, you can do anything; and therefore, the one thing you must not do is 'just anything.' Why? Because in a story where anything can happen and anything can be true, nothing matters. You have no reason to care what happens. It's all arbitrary, and arbitrary isn't interesting.
I love the interactive nature of theater. I just craved it. As much as I love working on a film or TV set, most of the storytelling happens in the editing, whereas when you're doing a play, the storytelling is in your hands as an actor.
It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.
Not only a great game, 'Uncharted 2' raised the bar for storytelling for the medium. The game treated action as a part of the overall story rather than a way to move from plot point to plot point.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
It is inconceivable that CNN's morning show or any other show could be anything but horribly boring. Why? Because they won't let anyone take risks.
With any entertainment business, you sort of have to be OK with just going with it. I've learned very much to just go with the flow and see what happens with my life, and what happens happens.
Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.
When you're telling taut, tight storytelling that has any kind of built-in plot twist elements, you tend to want to stack everything up on top of itself as opposed to letting things breathe and be languid in terms of the passage of time.
Even if I never sold another book, I'd keep writing, because the stories are here, in my head. Stories that just need to be told. I love watching a plot unfold, and feeling the surprise when the unexpected happens.
The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
The best compliment I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
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