A Quote by Bryan Fuller
Looking back, it's funny how the lighter family-friendly version of these classic Universal movie monsters that were satirized in The Munsters seduced me like a gateway drug into the genre.
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Watching monster movies as a kid, liking monsters, building monster models. TV shows like 'The Munsters,' 'Addams Family' and 'Twilight Zone.' It intrigued me. The music came from that.
I do not believe that marijuana is a gateway drug, and having been a mayor trying to keep my community safe, if there was any drug that was driving violence, more than marijuana, it was alcohol which is legal. And so I just don't think this is a gateway drug. And by the way, if you regulate it you're actually going to overcome a lot of problems with people having to go to the streets to buy their drug. You don't know how dangerous that is.
I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.
What I want is a way to put Universal monster toys back in the aisles alongside 'Star Wars' and all the other stuff and introduce today's kids to the classic monsters.
A lot of the reason the Universal version of 'Heights' went away is that they were afraid they didn't have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it.
Our film society back home is so different from here. Making a movie is universal. Directing a movie is universal; it's a universal language. It's just figuring things out and understanding the codes and how the system of Hollywood compares to that of Norway. We don't even have agents. There's no studio system, no managers.
I grew up really loving horror movies and genre movies. I was a big fan of Universal Monsters movies, read Famous Monsters magazine. I built monster models and creature effects...
Marijuana is a gateway drug that can lead to awful things, like Phish getting back together.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14.
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
If your family was part of the movie business, then watching 'Moguls & Movie Stars' is like looking at the family photo album: hilarious to members of the family, numbingly boring to those outside the family circle.
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
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