A Quote by Bryan Konietzko
As we wrote 'Book 1,' before the audience had ever laid eyes on Korra and Asami, it was an idea I would kick around the writers' room... The more Korra and Asami's relationship progressed, the more the idea of a romance between them organically blossomed for us.
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Since the first announcement of 'Korra' a few years ago, our fan presence online has just been huge and it's really active online. And as TV distribution evolves, even between 'Book 1' and 'Book 2,' it's evolved even more, our audience is increasingly online.
It is a long story how we finally ended up with the title simply being 'The Legend of Korra,' but in a poetic way, I think Korra's big Type A personality willed it to happen!
We don't dwell on the business of Korra restoring everyone's bending in 'Book 2,' but we figured she got around to helping the innocent people who lost it in the months between the seasons.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
Definitely female MMA fighters, I'm a big mixed martial arts fan, and watching women's MMA grow was definitely an inspiration. We just had an idea for a character and wanted to do a personality that was the opposite of Aang's, and that's how Korra came about.
There is a connection waiting to be made between the decline in democratic participation and the explosion in new ways of communicating. We need not accept the paradox that gives us more ways than ever to speak, and leaves the public with a wider feeling than ever before that their voices are not being heard. The new technologies can strengthen our democracy, by giving us greater opportunities than ever before for better transparency and a more responsive relationship between government and electors
The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.
I do think there's a relationship between a book and a reader that's more intimate, in many ways, than the relationship between an audience member and a play - just by the nature of it being an object that you can have in bed with you and that you can keep and page through.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
The whole time that I was doing the voice of Korra, I would always joke around saying that nobody's gonna give me a job as an action star or a hero. I just do silly comedy.
'Korra' is its own series. Obviously it's tied in, in the same world, a similar story, but it's not just 'Book Four' of 'The Last Airbender.'
'StrengthsFinder 2.0' is an effort to get the core message and language out to a much broader audience. We had no idea how well received the first strengths book would be by general readers - it was oriented more toward managers - or that the energy and excitement would continue to grow.
I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn't give up. Then I wrote one more book.
I could have just invited a bunch of my pilot buddies to go, and we would have had a great time and come back and had a bunch of cocktails. Instead, we wanted to bring in everyday people and energize everyone else around the idea of opening up spaceflight to more and more of us.
Once Steve Fuller said that there is this idea that your responsibility as an intellectual is just to speak the truth as you see it. But actually, you should be more appreciative of what needs to be said. I don't think that's ever an excuse to say something you don't believe is true - but sometimes the emphasis has to be different. Well, if I'm talking to an audience of hardline atheists, I'll be trying to unsettle them a bit more, whereas, if I'm speaking to an audience of believers, I'll be giving them more of the pros of atheism. It's about having a sensitivity to context.
I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
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