A Quote by Bryan Lee O'Malley
I used to be really influenced by Brian Bendis, back in his indie days. But I guess I try to tone that down.
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I always respected Luke Cage and thought that he was interesting, and I really liked what Brian Michael Bendis did in his update of the character in 'Alias,' the comic.
When I went to Sundance back in 1998, indie film was all the rage, and Miramax was throwing down five or six million dollars for several films each year. Those were the salad days of indie film, and those days are over. I'm not out there worrying too much about it.
I was watchin' the news the other day, and I heard them talking about a criminal named Brian Regan same spelling and everything. He's gonna be in jail for the rest of his life. So I'm sitting there doing a crossword puzzle and all of a sudden I hear, It is unknown whether the charges against Brian Regan will lead to his execution. Guess I can put this down. Honey, did we pay that parking ticket?!
I just remember how cool and exciting and crazy it seemed when Marvel was giving this new 'Ultimate Spider-Man' title to this crime writer Brian Michael Bendis who had never really done any superhero stuff before.
Brian really kicked back on his own when Amanda was a baby. We had a long talk about it, and he was spending a lot of time in California working there and he didn't really want to spend all his time out there and have his children and his wife on the East Coast.
Huge props to Brian Michael Bendis for sort of shaking up the Marvel universe and just saying 'there need to be people of colour in these comics otherwise it's not representing the true world the way it should be.'
I'm so disconnected from an indie-rock community that I am the hermit people used to guess I was.
[Bill] Clinton's voice, his manner of speaking and his terminology, "Back in those days... Yeah, back those days... You know, we didn't have the internet back then." My grandfather said, "Back in those days, we didn't have automobiles".
The thing I wonder about is where does Brian's creative spark come from? Not his subjects or anything, but his spark. What makes it so great for me is that I really don't know. There's a mystery behind Brian, even to me.
It's a struggle. It's really, really hard. I'm already nervous for my next one. You have to put more and more movie stars in movies these days. And of course, I would like to have more than $3million to make it. But, again, if that's what I was offered I wouldn't turn it down. I guess studios know that. But I'm one of the lucky ones, I guess.
Commercials used to have such a serious tone to them or a really corny tone.
I really worked very hard to bring my voice back because I used to have a good voice, and to try to do my exercises that I remember from Yale and all the things in the olden days, clearing your sinuses and all that.
I really love doing indie projects, I think the characters that are available in indie games especially, like a lot of the indie games I've done, have been really rich interesting characters for someone of my vocal range.
The director sets the tone, and if someone's ruling it with an iron fist, people are quiet and the days go long in my experience, when there's a very serious tone, the days just drag. When there's someone who, in between takes, is joking or laughing the days go quick.
Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.
I'm Brian a lot more than I'm Paul Walker, which is awesome. When I hear, 'Hey Paul Walker!' my hair stands up on the back of my neck. It's uncomfortable. But when I hear, 'It's Brian!' it's cool. I like Brian.
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