A Quote by Bryan Lee O'Malley
I'm sometimes sort of in touch with the readership, and they seem to have perceptive questions, for the most part.
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The most perceptive character in a play is the fool, because the man who wishes to seem simple cannot possibly be a simpleton.
Most people think of a feel as when you touch something or someone and what it feels like to your fingers but, a feel can have a thousand different definitions. Sometimes feel is a mental thing. Sometimes feel can happen clear ‘cross the arena. Sort of an invitation from the horse to come to you.
My readership seems to be the sensitive people, for the most part. Then there are the occasional fans who are like, "Ah, video games!"
The questions people have are sometimes soulful, sometimes zany, sometimes incoherent. I want to make a 'zine with just the questions I get emailed to me.
Yeah, and the language the "we" has, and the character the "we" has. Because that was the part of the book that I didn't plan out, but the part that I was most curious about as I was writing. You know what you're doing, but you're sometimes still sort of curious as you're writing it.
We try and banish whole inner realms. Sometimes, you have to touch the thing inside you're most afraid of and see what happens when you touch it rather than look away from it all the time.
There's an attention paid to the fame - the sort of sheath that's on you, this sort of cloud that's covering over you - and that's what people want to touch. It's not even really you that they want to touch.
I have no idea what readership is of written editorials, but it doesn't come anywhere close to the readership of editorial cartoons.
I've always had some sort of affinity for the ends of things. It depends on the song, I try to explore it in different ways. Sometimes when I think about death I'm thinking of it as a physical character that can teach you things and sometimes I'm thinking of it in a finite sense and other times I'm just asking questions that I can't answer. I don't really like to state my personal belief, because I change my mind too often, but I imagine something peaceful. Whether it's a rest or another world or some kind of eternity, it doesn't seem like a scary thing.
At its most successful, my 'touch' looks into the heart of nature; most days I don't even get close. These things are all part of a transient process that I cannot understand unless my touch is also transient - only in this way can the cycle remain unbroken and the process be complete.
Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
One of the peculiar features of philosophical questions is how eager people are to offer solutions that miss the point of the questions. Sometimes these failed solutions are scientific, and sometimes they are religious, and sometimes they are based on what is called plain common sense.
We, in the New York Times, have not yet figured out how to grow our international readership. We started a website in China, which the Chinese government has blocked, but it has a pretty healthy readership. The Guardian, for instance, has gotten tremendous growth through its website in the US. We have to figure out how to go after readership in different parts of the world.
People’s lives are often other than they seem to be on the surface. And sometimes, what’s underneath and hidden is the best part of all, the part of real value.
If you ever wondered why fishing is probably the most popular sport in this country, watch that boy beside on the water and you will learn. If you are really perceptive you will. For he already knows that fishing is only one part fish.
That's the nub of the thing, you see seriousness of spirit. It doesn't mean heaviness of heart, or a lack of fantasy, but it does mean an awareness of influences that touch our lives, sometimes in ways that seem cruel and unfeeling, and sometimes in ways that open up a glory which can never be forgotten.
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