A Quote by Bryan Lee O'Malley
I need some kind of... like... last minute, poorly-set-up deus ex machina!!
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Deus ex machina not only erases all meaning and emotion, it's an insult to the audience. Each of us knows we must choose and act, for better or worse, to determine the meaning of our lives...Deus ex machina is an insult because it is a lie.
Personally, I avoid deus ex machina like the plague - if you have to use one, it means you failed to set up the universe and the plot properly. It's like a whodunnit where there's no actual way for the reader to identify the perpetrator before the climactic reveal: there's no sense of closure for the reader.
It's the next phase of authorship of this country's energy future. It's gonna come from the people. It's not gonna be deus ex machina or Obama ex machina, or science ex machina. It's gonna be the people. It's not going to be a wind energy company that comes in and saves the day. It's going to be the people who figure this out.
When you're on the set, and sometimes, because it's been so complex and the writers have been really writing, sometimes up until the last minute... And you kind of sit back; you separate yourself from your brain, and you say, let me see if you can do this. And that's the kind of challenge I like.
It's kind of like when a clock battery runs down. The hour and minute hands don't disappear, but they don't keep ticking either. They freeze on the last minute they measured.
Many people question their religious identity today, not necessarily by thinking of converting to Judaism or to Islam: it's just that technologies seriously challenge the status of the human being. All technologies converge toward the same spot, they all lead to a Deus ex Machina, a machine-God.
My ritual it's kind of an involuntary ritual. I lie awake the night before, worrying about award ceremony. Try and think of something to write in case I actually get up there. I write it at the very last minute like either in the car on the way to the ceremony or, you know, in the bathroom before the show starts. It's all of jumbled mess written on a napkin or a piece of toilet paper. That's my good luck ritual. It's just like being in college waiting for the last minute to do everything.
I’m all mixed up inside. It’s like—I don’t know—like an ignition of some kind. one minute, I’m fine, and the next I’m losing it.
We've been playing a lot with television. We have some shows set up and then some new shows that are about to be set up. That's gonna be kind of a fun thing for us as producers.
That $27,000 that a young player will now get just for making the main draw at the Australian Open is huge. It can set them up for a couple of months which at that level you really do need that kind of help. It sounds like a lot of money, but when you're travelling the world trying to make it as a tennis player, it doesn't last long.
I can't stand things that are poorly made or shoddily conceived. I feel like I'm being insulted when something is poorly designed, poorly made. It's like whoever made that thing didn't respect the rest of us enough to do it well.
It's hard not to get a big head in the film industry, there are people on a set paid to cater to your every need, from the minute you arrive until you go home. It's kind of strange, but not unpleasant.
I went to this restaurant last night that was set up like a big buffet in the shape of an Ouija board. You'd think about what kind of food you want, and the table would move across the floor to it.
Actors are like kids, they need to play a little bit. And that's the nature of their job, they need to shake off some energy and then you as the director get them back on track. When you do loosen up the reins, you get some amazing things, but you have to wring out the performances for every last good drop.
Like most writers, I find the Web is a wonderful distraction. Who doesn't need that last minute research before writing?
I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'
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