A Quote by Bryan Lee O'Malley

I think it's natural as you get to the end of your twenties to start thinking about what you could have done differently - whether they went well or whether they went terribly.
I try to be a positive person, but I'm also always looking and wondering, 'Maybe this could be done differently.' As soon as your mind is in a critical mode, you're halfway through designing; as soon as you start thinking about whether something could be better, you're already halfway through a solution.
It's only when a project or film doesn't work, that you think about what you could have done differently - whether you chose unwisely, or was there something in your application in that role, as an actor, as a director or as a producer, that you could have done better.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
We throw all our attention on the utterly idle question whether A has done as well as B, when the only question is whether A has done as well as he could.
I'm not dark; I'm not. The main thing I consider in accepting a role is less the tone of the movie and more whether I think it's a good film, whether I like the character and whether I think I could do it. I don't think, 'Oh, I've done X amount of dark films.'
There is nothing -- absolutely nothing -- half so much worth doing as simply messing about in boats. In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not.
As you get older, you think about things differently from when you do in your twenties, when you think you'll live forever.
I think the further away you get from completing a book, the more responses you see to it from readers, the more your own tastes and opinions shift and the more you start to see things you could have written differently in the detail, or done differently on the broader scale of plot and character.
There's a lot of sanctions left that we can start to do, whether it's with oil, whether it's with energy, whether it's with their maritime ships, exports, we can do a lot of different things that we haven't done yet. What we have to do is send a strong, unified message to North Korea that this nuclear tests unacceptable. And I think the international community do that.
BY YOUR RESPONSE TO DANGER IT IS EASY TO TELL HOW YOU HAVE LIVED AND WHAT HAS BEEN DONE TO YOU. YOU SHOW WHETHER YOU WANT TO STAY ALIVE, WHETHER YOU THINK YOU DESERVE TO, AND WHETHER YOU BELIEVE IT'S ANY GOOD TO ACT.
Everyone will always have ideas about how to make your work better. Everyone has advice about how to end your play differently. Start it differently. And it's not about right or wrong. At the end of the day, it's your baby, and you know what's best.
Look whether it be indifferently, as well for sins secret as open, what you find to be your best cordials to comfort you, whether God's Word, or natural means.
My mother said, Don't worry abot what people think now. Think about whether your children and grandchildren will think you've done well.
Once you start painting, you could of course get lost. I mean you get out of yourself, you don't know whether you're thinking, you just act actually sometimes.
After your debut, it doesn't matter whether your parents are actors or factory workers. All that matters is whether you can get the job done.
No one worries terribly much about who the questions belong to, or whether a given contribution is really philosophy or, instead, properly nothing but science. Perhaps another way to put this is that, although I think that knowledge is a natural kind, I don't think that philosophy is.
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