A Quote by Bryan Lee O'Malley
I don't really have a metaphor for how I write, but it kinda feels like chipping away at a big dark object that I can't really see.
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If you see really bright lights, or hear really loud noises, go towards them, don't run away from anything. It's like giving someone instructions on how to handle a bear, don't run away from it. Stand up and try to make yourself look as big as possible. Don't give it the signal that it should chase you. And that's the case with the after death visions. Don't go for dark seductive lights, go only for bright lights.
There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
I'm a big fan of certain new acts. I love any genre of music, and I think it's really great to see that there are new artists coming through. It's kinda funny to think that I'm like the old man on campus now. But I'm really happy for groups like One Direction. I think they're really good guys.
Filming in Africa touched something really deep inside of me, really. It changed my matrix, my insides. My blood even feels kinda different. I don't know how to describe it. It's really kind of Eucharistic. I feel like I ate the place and now it's part of my system, part of my being. I'm not claiming that now I know what it's like to be African, but that now I have a deeper understanding of myself.
It feels good, it feels like a badge of honor, honestly. Amongst the artists here, in California, that festival is such a big deal. People live and die for Coachella. So to be a part of it on such a big scale is really flattering, and I feel really lucky to be part of the community.
Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.
I'm not like, 'I act.' I'm like, 'I'm kinda floating. I kinda did this movie; it was kinda like going to camp, and I don't really know what any of this means!'
I'd like to start writing scripts. I think I'd probably be inclined to write a very dark comedy or a tragic romance. As a kid, I used to write really dark stuff.
It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.
I'm kinda racist... I don't really like dark butts too much... It's rare that I do dark butts. Like really rare... It's like, no darker than me. No darker than me. I love the pool test.... If you can be like 'Yo, baby. I met you in the club. Let's go back to my house. Jump in the pool exactly like you are.'-And you don't come looking better wet than you were before you got in the pool then that's not a good look.
You sing about the things you're influenced by. So we've been big into sci-fi since we were kids, things like Star Trek etc. Then came movies like Terminator and Dune. Burton is also a really big reader and loves sci-fi novels which helps him write. It's also really cool he does that because it's through the perspective of how we see things going or possibly going.
Do I think there is a heaven? Uh, yeah I do. Like a really big gymnasium. How do I see myself there? With really bad seats.
I see life everywhere I look. I get the energy off the water. Hawaii really, when I am there, it feels like how we are supposed to live and how it's supposed to be: slower, just appreciating our surroundings. I love the people there and the aloha, the history. They're really rooted in something.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'
I find 'Fatal Attraction' really romantic. I really like the seduction. Almost every time I see it, I'm surprised when it goes dark. I know that's the claim to fame, but I key into how genuinely romantic it is.
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