A Quote by Bryan Lee O'Malley
'Seconds' is grounded in the reality of this restaurant environment, and I did do plenty of research, so there's that. It takes place in a town that is like a kinder, gentler fairy tale version of reality. Then it takes off into a story that is very strange, very mental.
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'Meek's Cutoff' by Kelly Reichardt - it's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.
Meek's Cutoff by Kelly Reichardt. It's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.
There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.
Fairy tales were not my escape from reality as a child; rather, they were my reality -- for mine was a world in which good and evil were not abstract concepts, and like fairy-tale heroines, no magic would save me unless I had the wit and heart and courage to use it widely.
The fairy tale always takes place in worlds that are between, unidentifiable.
Everywhere you go you find readers who are interested, even though the story takes place here in this very neighborhood. It doesn't matter that it takes place locally if the intention to make it universal is there. That's what I strive to do.
Reality has been so politicized such that people truly believe, mostly, that there are two versions of reality: a conservative and a liberal version. In my mind, there's only one version of reality and then those who lie about it. Much as in a court of law.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies.
That's just me wanting that supernatural tool to tell a story and also not wanting to be restricted by reality, with how we're telling a tale, because we are a heightened reality on Hannibal. There is a larger-than-life quality to the storytelling when it gets into particulars. I like the idea of being able to dismiss reality, depending on if we can sell it as part of the story.
Reality is always the moment of vision before the intellectualization takes place. There is no other reality.
There is a subject - there is a research that says a man thinks about sex every 12 seconds. And so when an artist expresses something that's sexual in music it is a reflection of our reality. If we want that reality changed, then we have to do things that affect the core.
I've always really liked theater. It fascinated me. You can create a reality and get people involved in that reality. It takes place in real time.
A lot of the time, people think rappers just live inside this bubble. No, the reality is there is conversation that happens. It's not this one-dimensional thing. There's reality that takes place.
'Extraordinary' is an original fairy tale, a contemporary story. But like a traditional fairy tale, it heads quickly into frightening, bloody territory. I am afraid for my book, as it goes out alone into the world, just as I was frightened for Phoebe as I wrote and rewrote her story.
Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.
The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
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