A Quote by Bryan Lee O'Malley

'Seconds' is all about spaces, and I guess spaces are kind of like people in that they can be haunting and alluring before we even really get to know them, and after prolonged exposure, they can become mundane or oppressive.
Spaces of liberation are, in a certain way, some kind of social spaces where people can not only get together and think about something else, but also act together. If you are thinking about an elemental solidarity, you are thinking about people acting together and taking decisions together, and thereby beginning to think about what sort of society they want to create. So, there is a need for liberated spaces; that is really difficult.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
I think that online harassment has become so ubiquitous on the Internet that a lot of women do feel safer, whatever that means, in spaces where they know like people are not going to bother them in that kind of way.
Design is about creating spaces for people to enjoy and of course, creating moments where you elevate the spirit, but 'design for good' is figuring out a program that not only creates better spaces, but creates jobs, creates new industry and really kind of raises the conversation about how we rebuild.
Architecture is inherently a totalitarian activity. One thing we hate about it is that when you design a space, you're probably designing people's behavior in that space. I don't know if we know how to change that, but our goal is to make spaces for people rather than people being subservient to spaces.
And marking off time struck me as something like counting empty spaces—spaces you know can't ever be filled.
Flipping our classrooms into active learning spaces really is important and having these convenient spaces where people feel comfortable.
Web publishing can create common spaces; it all depends on how we, the readers and sometimes the producers, react to technological change. If we sort ourselves into narrow groups, common spaces will be in big trouble. But there's no reason not to have common spaces on the Internet. There are lots of them out there.
Who know what life is going to be like. I mean, there was no demand for the spaces before. It's not like people were flocking to Sochi before; they just didn't have enough hotel rooms and arenas to fill the need. So that's what we'll look at when we go there. But we'll wait a few years until things kind of return to normal.
There are still many large white spaces on the map of human knowledge. You can go discover them. So do it. Get out there and fill in the blank spaces. Every single moment is a possibility to go to these new places and explore them.
I don't have any phobias per se, but both tight and vast spaces tend to make me nervous after a prolonged time.
I guess because there aren't many women working in the kind of variety of spaces that I've had the opportunity and privilege to kind of work in, that there is this extreme scrutiny about my career.
You know, when people look at a tree, they look at the leaves; they don't look at the spaces between the leaves. They're focused on the tree. I think there's an awareness of spaces or it wouldn't look like a tree to them.
I'm kind of claustrophobic... It's not even like enclosed spaces. It's like I hate being stuck in one band, you know? Just being stuck is the biggest drag, for fear that, you know, just that you can't get out.
In New York there's a lot of interstitial spaces; spaces in between spaces, where you're changing, and New York gives you the anonymity to be who you want to be.
Everything useful in mathematics has been devised for a purpose. Even if you don't know it, the guy who did it first, he knew what he was doing. Banach didn't just develop Banach spaces for the sake of it. He wanted to put many spaces under one heading. Without knowing the examples, the whole thing is pointless.
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