A Quote by Bryan Magee
I have very strongly this feeling that our everyday life is at one and the same time banal, overfamiliar, platitudinous and yet mysterious and extraordinary.
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To us, to the everyday teachers of everyday students, neither of whom is writing the book of the universe but who both have their fullest life only when they align themselves with its truths, working out our own commitment to and our own vision of agape, in however homely or personal a form, is a life long task that both guides us in our teaching endeavors and honors those endeavors at the same time.
We can begin a discussion of artmaking by noting that from very early (as long ago as 200,000 years), humans have been naturally attracted to the extraordinary as a dimension of experience and that at some point they seem also to have been moved to make the ordinary extraordinary-that is, to shape or elaborate everyday, mundane reality and thereby transform it into something special, different from the everyday.
My emotion is real, and my everyday life is filled with the same feeling.
When your life is filled with the desire to see the holiness in everyday life, something magical happens: Ordinary life becomes extraordinary, and the very process of life begins to nourish your soul.
It isn't that I don't tackle issues; it's just that they're secondary to giving somebody an escape route from the banal routine of everyday life.
I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.
The American people voted for a president, Donald Trump, who's very tough, very strong, very aggressive on terrorism, but at the same time smart. At the same time sophisticated. At the same time, heeding the wisdom of our founders who warned about entangling foreign engagement.
It's an American thing, but it's particularly a southern thing, and its romanticization is hyper-Southern. And it's still irresistible to me, even in middle age. There's something that pulls me to that, but at the same time, I have this increasing awareness of how banal it really is - that evil is inherently banal.
Serious crime is very, very rare, and I think all of us are interested because they are rare and unusual. If they were banal and everyday, we wouldn't be interested in them at all.
I believe an appreciation for simplicity, the everyday - the ability to dive deeply into the banal and discover life's hidden richness - is where success, let alone happiness, emerges.
One of my favorite stories growing up was A Wrinkle in Time. I loved that book. I still remember the image, so strongly, of all the kids coming out of their house at the same time, they're all bouncing a ball at the same time, and they all go back in at the same time. A Wrinkle in Time moved me deeply.
It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.
I think of myself as a very ordinary person. I like writing about the juxtaposition between people: the beauty of them at times and then the banal, everyday context in which we find ourselves.
You're faced with creation, you're faced with something very mysterious and very mystical, whether it's looking at the ocean or being alone in a forest, or sometimes looking at the stars. There's really something very powerful about nature that's endlessly mysterious and a reminder of our humanity, our mortality, of more existential things that we usually manage to not get involved with very often because of daily activity.
We have this wild life experience that is full of fantastic minutiae and banal, huge events at the same time. Yet, all of it shrinks in the shadow of death. It's hard to argue with death as a game-changer.
A banal poem is never more than a banal poem. A banal or trite lyric, however, can be - with the right vocal cords - brilliantly and shatteringly conveyed.
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