A Quote by Bryan Talbot
When it comes to creating graphic novels I always deliberately work on something completely different to the previous one.
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I'm a severe graphic novels junkie. People ask me about it, and I say I like the graphic novels. Comic books are for kids, and graphic novels are for adults. But you can't really separate the two.
I like the freedom of novels. With the memoirs, I always had to keep to the facts. I like that with novels, if I want to go off and write something quite dramatic or outrageous or something completely different, I can do it if I want to.
I'm not not a fan of graphic novels, but it's not like one of my pastimes, reading graphic novels.
The difference between graphic novels and web comics is even greater than graphic novels and story boarding. Web comics really is a legitimately separate genre.
When I write a novel, I want it to be completely different from a screenplay. I'm very conscious of the difference, and I want novels to work purely as novels. Otherwise I don't see how they'll survive - why don't we just all go to the movies or watch television.
Everyday we just copy&paste ourselves from the previous day instead of creating a new blank page and be something different and original.
I have to read comic books all first, because now when you get into graphic novels, they are definitely in deep graphic.
I am pretty interested in hybrid forms. I love graphic novels and I think there should be more graphic poems in the world.
I've always been really impressed with some of the longer graphic novels and thought it would be really amazing if one day I could try something like that.
I have the feeling that I didn't make it by myself, but that I was conducted by feelings that were completely different from those in my previous work. When I start making a film I don't know what I'm doing.
I think graphic novels are closer to prose than film, which is a really different form.
I read a lot of graphic novels - some of my favorites graphic novelists or artists are Rebecca Kraatz, Gabrielle Bell, Graham Roumieu, Tom Gauld, and Renee French.
The 'Barnaby' books were always intended to be graphic novels.
Seriously, you know - I love to write. I enjoy the process; I enjoy the different processes, because writing for film and television and graphic novels is all very different. So I've never had the feeling of, 'Oh, you have to do this one thing.'
I was a sci-fi addict when I was a kid and a teenager. Novels, graphic novels, movies, it was my way to deal with reality.
The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely. I think this is the area where writers need to place ourselves: from a position of absolute modernity and contemporaneity, creating a culture of objects which cinema cannot.
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