A Quote by Bryant H. McGill

The realities of the world seldom measure up to the sublime designs of human imagination. — © Bryant H. McGill
The realities of the world seldom measure up to the sublime designs of human imagination.
The world is seldom what it seems; to man, who dimly sees, realities appear as dreams, and dreams realities.
A sublime faith in human imbecility has seldom led those who cherish it astray.
the curse of human nature is imagination. When a long anticipated moment comes, we always find it pitched a note too low, for the wings of imagination are crushed into its withering sides under the crowding hordes of petty realities.
The world of imagination is the world of eternity. It is the divine bosom into which we shall all go after the death of the vegetated [i.e. mortal] body. This world of imagination is infinite and eternal, whereas the world of generation is finite and temporal. There exist in that eternal world the eternal realities of everything which we see reflected in this vegetable glass of nature.
Well, the fact is that one imagination is critically important, and if you have had your imagination stimulated by what is basically a variety of subjects, you are much more amenable to accepting, to understanding and interacting with the realities of the world.
The worst realities of our age are manufactured realities. It is therefore our task, as creative participants in the universe, to re dream our world. The fact of possessing imagination means that everything can be re dreamed. Each reality can have it
I think architecture could be understood as the construction of realities, or the construction of worlds. One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds, and in our case, the realities we create can be as real as concrete. These kinds of ideas, of wild imagination, go into the question of how you make a world.
Poetry might be more about the eternal verities, the essence of the human soul, and - although it's reductive to say so - fiction has perhaps been more about the differences between the unconstrained world of the imagination and the realities you run into, day-to-day, when you're riding your donkey.
There are two worlds: the world we can measure with line and rule, and the world that we feel with our hearts and imagination.
Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken.
Maybe each human being lives in a unique world, a private world different from those inhabited and experienced by all other humans. . . If reality differs from person to person, can we speak of reality singular, or shouldn't we really be talking about plural realities? And if there are plural realities, are some more true (more real) than others?
All human accomplishment has the same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination.
The human intellect owes its superiority over that of the lower animals in great measure to the stimulus which alcohol has given imagination.
All human accomplishment has this same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination! It converts to actual. It sustains, it alters, it redeems!
The free world has need that its foreign policies should fairly measure the realities of the world in which we live. There are certain principles to which we hold: the sanctity of treaties, good faith between nations, the interdependence of peoples from which no country, however powerful, can altogether escape.
Humankind is able to create new conditions, a new reality. We are not fated to swim forever among the realities that are here now. ... Everything that is worthwhile in human civilization has not only originated from but has been inspired by dreams, by imagination.
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