A Quote by Bryce Courtenay
What's the point in being an unpopular writer? It just doesn't make a lot of sense. For me it doesn't, anyway.
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Life doesn't make any sense, and we all pretend it does. Comedy's job is to point out that it doesn't make sense, and that it doesn't make much difference anyway.
If anyone asks me whether I like being a popular writer, I ask them whether they think I'd rather be an unpopular writer.
The world isn't perfect, and some days it wears you down. You can either accept that, and face it, and be a help to others instead of a hindrance. Or you can decide the rules are too tough and they shouldn't apply to you, and you can ignore them and make things harder for everybody else. Sometimes life is about being sad and doing things anyway. Sometimes it's about being hurt and doing things anyway. The point isn't perfection. The point is doing it anyway.
The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
I think when you wear the brand anyway, why not go out and try to promote it and make it as cool as you can? The fact that I can continue to do what I've always done and kind of become the face of that brand is to me, kind of just makes sense. It doesn't make sense not to do it I guess.
There's no point for me in being a writer and having all these blocked places where I feel I can't think freely and imagine freely. There just really is no point.
My point of view as a writer has to be a lot more ego-less than just like being some performer on stage with a hairdo.
I think that's my hope for a lot of the feminist movement is that the gender thing sort of stops being the selling point, if that makes any sense. We're just people making art, and that's how this process has felt to me.
Being unpopular is never easy; but being unpopular in a good cause is a shield against despair.
Sometimes life is about being sad and doing things anyway. Sometimes it's about being hurt and doing things anyway. The point isn't perfection. The point is doing it anyway.
'Sticky' is about reaching a point in a relationship where you both realize you guys shouldn't be dating, but you're doing it anyway just because you like to have that sense of just being able to be honest with the person and comfortable with the person. You kind of ignore all of the signs and red flags because you really want to like the person.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
Just growing up, my dad always told me the most important point of the game is the extra point. A lot of people take that play off. It's an opportunity to make something happen, and I'm going to make the most of it.
My best experience as a writer was working with Michael Ondaatje. He let me dismantle his novel, reimagine it, and still had dinner with me and gave me good notes. But the best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
My wife has been incredibly supportive of me as a writer. Trying really hard to make sure I get the space and time I need to work as a writer and being willing to make some of the sacrifices that you have to make to live the life of an artist.
For me, what I learned is that I went for a long time without making music when I was married, and I think some of that was because - it was a little bit unfortunate - but it didn't make sense in the confines of my marriage for me to be the musician and the writer, which requires a lot of focus and attention.
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