A Quote by Bryce Courtenay
My job, and that's my job, is to dress the naked truth. To make it interesting, to make it viable, to make it seem like something you understand and feel and love.
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But it is not the job of truth to make us feel good. It is the job of truth to be true, and it is our job to deal with it.
It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
You come to me and it's my job to make you look the best you can look. From an image point of view, would I prefer to dress Jude Law instead of Rolf Harris? Of course. But it's my job to make them both look great.
As an actor, it's my job to make everything interesting and exciting and new. If I'm not doing my job well, then I'm stealing.
My job is to make sure there's something about each dress that ignites the bride's imagination.
If you do television, and it's great, it's the best job there is. Every week it's another opportunity to really make that work and figure out how to make it work better. I love that it's like theater too, and the audience, and it's so short, like twenty minutes... It's like a Haiku or something.
The secret is to find what you love to do.I mean, I tell the students look for the job that you would take if you didn't need a job. I mean, it's that simple. And I was lucky enough to find it very early in life. And then the second thing is to have people around you that make feel good every day, and make you a better person than you otherwise would be.
My job is not to make you happy. As a filmmaker and as an actor, my job is not to make you feel happy. If you're used to those kind of films, don't come and watch my films.
This is about the daily ins and outs of a marriage. I don't want to give away the ending, but they are trying either to make the marriage work or make the separation work. Our job is to make that interesting.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
You can make movies and not particularly get along with the people you're working with but, when they say 'Action,' your job is to make it look like you're in love.
...It's easier to find a way to make money at something you love than to learn to love a job that you can make money at.
I can't become naked for everybody. It's never going to be possible for the person to write the whole story completely, so I find bits of myself, bits of what I think in some articles. And I don't give lip service to journalists. I never make them feel comfortable. I say, "It's your job to make the story."
Make lists of positive aspects. Make lists of things you love - and never complain about anything. And as you use those things that shine bright and make you feel good as your excuse to give your attention and be who-you-are, you will tune to who-you-are, and the whole world will begin to transform before your eyes. It is not your job to transform the world for others-but it is your job to transform it for you. A state of appreciation is pure Connection to Source where there is no perception of lack.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
I wear yoga pants and get to work out all the time - it's my job. I feel a little bit different when I go into what I call 'the real world.' It's cool to be able to train as a full-time job, and it's something that I love and will continue to try to make work for the next however-many years.
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