A Quote by Bryce Dallas Howard
The ability to play pretend is something that everyone has access to; you see little kids doing it.
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I believe our platform at WTT is different than tournament tennis. What we are selling is access. You have the ability to give access to kids and people who come to watch because it is about participation, not observation.
In my travels all over the world, I have come to realize that what distinguishes one child from another is not ability, but access. Access to education, access to opportunity, access to love.
It's funny how when you're little, you miss all the little lies. They float right past you, but you don't wonder about them much. For a long time, you think this is just something adults still do after being kids - pretend.
You don't need Little League. You don't even need nine kids. Four is plenty-a pitcher, a batter, and a couple of shaggers. You can play ball all day long. My kids used to try to get me out there, but I'd just say, "Go play with your brothers." If kids want to do something, they'll do it. They don't need adults to do it for them.
Kids play pretend. I think that kids can be the best actors.
There're people all over the world that have access to Suicide Silence because of the internet and everyone that listens to you has a better chance to paying to see you play.
I want my children to have access to something that looks beyond what I call the tyranny of now. You read the paper, everyone talks about that thing [in the news] that day, and all the subconscious really important stuff that's going on is being neglected. The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.
Middle-class kids get to play, develop their thinking ability. Poor kids are much more likely to get regimentation under the guise of socialization. On top of it, we have huge segregation in early childhood programs. I don't see these patterns changing anytime soon, and that's a big obstacle.
I respect it if you're a really good DJ but you can't produce. What I hate is those who pretend to produce when they have a guy in another room doing all the work. Don't pretend. Everyone will figure it out at the end of the day.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then, and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
We often say that psi is like musical ability: it is widely distributed in the populate, and everyone has some ability and can participate to some extent - in the same way that the most nonmusical person can learn to play a little Mozart on the piano. On the other hand, there is no substitute for innate talent, and there is no substitute for practice.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies. You’re at the Aspen Ideas Fest, and you have these really smart, really accomplished people who pretend like they’ve somehow figured out a way to bypass the human condition. We live in this culture where there are so many things that want us to pretend that we’re not truly human.
You know when something feels so good but you're afraid to feel good about it? So you kinda hold back? Everyone says, Congratulations, you must be so happy. And you say something stupid like, I'm just doing what little I can with what little I have.
I do believe it's possible to play a lot without overplaying. It's when a musician becomes too self-centred that it becomes problematic. You need to be aware of how what you're doing is affecting everyone else, and that's something young musicians often forget. Playing in a band is a shared experience. It's about what everyone is doing together.
Everyone watches everyone pitch. If they're doing good, you're trying to take something out of them. I've taken something from probably every average to above-average pitcher I've ever played with - what they do. You see what they do and how you can put that into your game.
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