A Quote by Bryce Dallas Howard
On the spectrum of imagination, there are people who are more imaginative than others - I guess some kids are hardcore pretenders and have imaginary friends for years and other kids play and they have fun, but it's not quite as specific like that.
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We [with Brandy Burre ] like fifteen feet away from each other. You can see my house and my car in pretty much every exterior shot in the movie. It was like filming at my extended house. My kids and her kids are the same age and they're best friends. Every summer they play with each other. We were intensely close friends beforehand in part because we take care of each other's kids.
Kids don't talk like adults, but kids on the spectrum don't necessarily fall into the same patterns of speaking or have the same interests as other kids their age.
I was in the closet up until I moved to the U.S. But I was always one of those kids who couldn't really hide being gay. Some queer kids are just more straight-passing than others. I was not one of those kids.
The imagination is the medium of appreciation in every field. The engagement of the imagination is the only thing that makes any activity more than mechanical. Unfortunately, it is too customary to identify the imaginative with the imaginary, rather than with a warm and intimate taking in of the full scope of a situation.
Festivals are fun for kids, fun for parents and offer a welcome break from the stresses of the nuclear family. The sheer quantities of people make life easier: loads of adults for the adults to talk to and loads of kids for the kids to play with.
On the one hand, people think they own kids; they feel that they have the right to tell the kids what to do. On the other hand, people envy kids. We'd like to be kids our whole lives. Kids get to do what they do. They live on their instincts.
In 50 years, the world has changed, especially for kids, but kids' needs haven't changed. They still need to feel safe, be close to their families, like their teachers, and have friends to play with.
I've always had a really active imagination. Lots of kids have imaginary friends. Mine just took on a rather demonic form.
Who would know but ten years ago that kids would be texting each other all the time, that that would be one of their main forms of communication. And so many times, these kids know more about the technology than their parents. And so many times, we're putting kids in very adult situations and expecting them to behave like they're 40 years old.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
Get out of the house. A lot of kids play video games and aren't active, and that's one thing I like to do - keep them active and having fun, interacting with other kids.
When the boomers started to have kids reach adolescence, there was suddenly this feeling that they needed to protect their kids from all the same things they did when they were kids. Which I guess is a natural tendency, but it makes for a less fun society.
Imaginary friends are one of the weirder forms of pretend play in childhood. But the research shows that imaginary friends actually help children understand the other people around them and imagine all the many ways that people could be.
I'm the most inappropriate dad. I curse in front of my kids and their friends. I let my kids watch R-rated movies. I'll walk by the movie theater and say, 'Let's go see that,' and my kids will say, 'No, it's rated R. It's not appropriate for kids.' I'm like Uncle Dad. We have fun. I don't live with them, but I drive over four days a week.
I think great songs appeal to people at any age. Kids love the Beatles, too. Kids love Tom T. Hall. Of course, Tom T. wrote some things that were specifically for kids. But I think kids recognize quality more than they get credit for sometimes.
I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.
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