A Quote by Bryce Dallas Howard
Sometimes acting, particularly in film, can feel so contained. You need to be small and not overplay things, so it's such a relief to be able to go as far as you can go with an emotion or a feeling or a speech.
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Knowledge is infinite. You can go anywhere you want to go based on feeling and emotion. That's one of the things God gave me, being able to pull people into that direction. That's just what I do.
I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.
I actually like acting in things that I'm directing because I'm able to control the tone of how a scene may go and I know, very clearly, what I want from myself in that scene and what I need, as far as from a directorial standpoint.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
No pains must be spared to wipe out all feeling of diffidence, embarrassment, or shame on the part of those receiving relief; [we] must be one great family of equals. The spiritual welfare of those on relief must receive especial care and be earnestly and prayerfully fostered. A system which gives relief for work or service will go far to reaching these ends.
Acting didn't solve much! If it did, I would have ended up much less crazy than I am today, but I'm not. At least for me, acting is a relief - a relief to be able to admit certain things about myself and disguise in my work, in my characters.
We get up in the morning feeling tired. Sometimes we feel good, sometimes bad, but we go through it with feeling. That's the root to the truth, that's where everything starts
You want to keep it in there because you feel like it's yours but to be able to see that sometimes some stuff needs to go and I think it's for the benefit of the film.
The notion that the campus has its hands tied if a woman is not willing to go to the police, if the woman is only willing to go so far as, "I just don't want to see him in my dorm anymore," is ridiculous. If that's as far as she's willing to go, then we need to accommodate that. And a university needs to be able to accommodate it.
Feeling of an emotion is a process that is distinct from having the emotion in the first place. So it helps to understand what is an emotion, what is a feeling, we need to understand what is an emotion.
I realise that sometimes things go well and sometimes they don't. But it is very important for me I feel personally, even selfishly, the need to be playing football matches.
I like the idea of contained emotion because I grew up most of my life feeling that way. As an adolescent, people would always say I was not expressive, and they always made the mistake of thinking that I didn't feel anything because I didn't react to things.
Sometimes when you come from outside a discipline you pay attention to things that insiders take for granted. I admit that sometimes I feel hesitant in the midst of other architects. I can't help thinking that they know more than I do, but I also feel that maybe I can go in directions they learned you're not supposed to go in.
Sometimes when I'm not working, I go and teach at an acting school, and quite selfishly, that makes me feel more inspired to do things myself.
For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will.
With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.
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