A Quote by Bryce Dallas Howard

There's something really freeing about playing a character that isn't even, like, remotely likeable whatsoever. — © Bryce Dallas Howard
There's something really freeing about playing a character that isn't even, like, remotely likeable whatsoever.
Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
The truth is that, to me, a likeable character is a character that is really flawed, so I don't know what people mean when they say 'likable.'
I love playing a villain. I think that there's something freeing about that, and it's a different kind of challenge.
Playing SpongeBob is freeing. There is something intrinsically about him that people identify with no matter their age.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
It's the first villain that I've played in a movie that has absolutely no vulnerability and no innocence, nothing whatsoever that is likeable about her other than she's so bad.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone.
Richard III is not likeable. Macbeth is not likeable. Hamlet is not likeable. And yet you can't take your eyes off them. I'm far more interested in that than I am in any sort of likeability.
When you sign onto something, you want the character to be redeemable and likeable, hopefully, and understandable.
People, you know, had trouble with the character. Mindy is not immediately likeable. She does and says a lot of things that you don't see in, forget female characters, any characters. Like, she says things like, "I'm going to hell because I don't really care about the environment and I love to gossip."
When you're playing a character, you don't really want to have an opinion about where you're going to end up. Otherwise, you can't really stay in the moment and in your character.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
I love playing a villain. I think that there's something freeing about that, and it's a different kind of challenge. More than anything, for me as an actor, it's about challenging myself and doing as many different things as I can.
I love experimenting, playing characters that are not even remotely connected to my personality.
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